"Inno delle nazioni: I. Allegro sostenuto" by Giuseppe Verdi, Freddie De Tommaso, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Riccardo Chailly had its release date on June 21, 2024. The duration of This song is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Inno delle nazioni: I. Allegro sostenuto's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Verdi: Inno delle nazioni; Quattro Pezzi Sacri by Giuseppe Verdi, Freddie De Tommaso, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Riccardo Chailly. The song's track number on the album is #1 out of 7 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. In terms of popularity, Inno delle nazioni: I. Allegro sostenuto is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Inno delle nazioni: I. Allegro sostenuto by Giuseppe Verdi, Freddie De Tommaso, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Riccardo Chailly has a tempo of 101 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Inno delle nazioni: I. Allegro sostenuto being at 101 BPM, the half-time would be 50 BPM with a double-time of 202 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Cherubini: Medea, Act 1: "Taci, Giason" (Medea, Giasone) | Luigi Cherubini, Maria Callas, Mirto Picchi, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | D Minor | 0 | 7A | 93 BPM | ||
Te Deum in C Major, WAB 45: III. Aeterna fac | Anton Bruckner, Magdaléna Hajóssyová, Rosemarie Lang, Peter-Jurgen Schmidt, Hermann Christian Polster, Rundfunkchor Berlin, Rundfunk Sinfonieorchester Berlin, Heinz Rögner | C Major | 1 | 8B | 65 BPM | ||
Alceste, Wq. 44 (Excerpts): Vivre sans toi | Christoph Willibald Gluck, Bavarian Radio Symphony Orchestra, Serge Baudo, Nicolai Gedda, Jessye Norman | G Minor | 2 | 6A | 76 BPM | ||
Copland: Suite from Appalachian Spring: IV. The Revivalist and His Flock. Fast (1945 Version) | Aaron Copland, Minnesota Orchestra, Sir Neville Marriner | C Major | 0 | 8B | 87 BPM | ||
Symphony No. 9 in D Major: I. Andante comodo: No. 8, Plötzlich bedeutend langsamer und leise | Gustav Mahler, Mahler Academy Orchestra, Philipp von Steinaecker | D♭ Major | 0 | 3B | 86 BPM | ||
The Dream of Gerontius, Op. 38, Pt. 1: Prelude | Edward Elgar, Gabrieli, Paul McCreesh | D Major | 0 | 10B | 85 BPM | ||
La Cenerentola / Act 2: Ah, signor, s'è ver che in petto | Gioachino Rossini, Cecilia Bartoli, Alessandro Corbelli, William Matteuzzi, Fernanda Costa, Gloria Banditelli, Enzo Dara, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | A Major | 2 | 11B | 139 BPM | ||
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): VI. Chanson de Melisande - Molto lento | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | E Major | 1 | 12B | 94 BPM | ||
Symphony No. 5 in E-flat major, Op. 82: II. Andante mosso, quasi allegretto | Jean Sibelius, Orchestre Métropolitain, Yannick Nézet-Séguin | G Major | 0 | 9B | 129 BPM | ||
Samson et Dalila, Op. 47: Act II: Prelude | Camille Saint-Saëns, Hélène Bouvier, Charles Cambon, José Luccioni, Henri Medus, Paul Cabanel, Paris National Opera Chorus, Paris National Opera Orchestra, Louis Fourestier | E♭ Major | 2 | 5B | 113 BPM |