"Lohengrin: Act I - "Einsam in trüben Tagen"" by Staatskapelle Berlin, Chor der Deutschen Staatsoper Berlin, Otmar Suitner, Theo Adam, Hannelore Kuhse was released on 1974. With this song being around four minutes long, at 3:44, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Wagner: Lohengrin (Highlights) by Staatskapelle Berlin, Chor der Deutschen Staatsoper Berlin, Otmar Suitner. The song's track number on the album is #2 out of 8 tracks. Lohengrin: Act I - "Einsam in trüben Tagen" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Lohengrin: Act I - "Einsam in trüben Tagen" by Staatskapelle Berlin, Chor der Deutschen Staatsoper Berlin, Otmar Suitner, Theo Adam, Hannelore Kuhse has a tempo of 75 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Lohengrin: Act I - "Einsam in trüben Tagen" being at 75 BPM, the half-time would be 38 BPM with a double-time of 150 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto No. 1 in A Minor, Op. 77: IIIa. Passacaglia. Andante | Dmitri Shostakovich, Hilary Hahn, Marek Janowski, Oslo-Filharmonien | D♭ Major | 1 | 3B | 178 BPM | ||
Symphony No. 7 in D Minor, Op. 70, B. 141: IV. Finale. Allegro | Antonín Dvořák, Staatskapelle Berlin, Otmar Suitner | F♯ Minor | 1 | 11A | 80 BPM | ||
Sonata in A Major for Violin and Piano, FWV 8: IV. Allegretto poco mosso | César Franck, Augustin Dumay, Maria João Pires | A Major | 2 | 11B | 73 BPM | ||
Symphony No. 1, Op. 25 in D "Classical": Larghetto | Sergei Prokofiev, Yuri Temirkanov | A Major | 0 | 11B | 109 BPM | ||
Violin Concerto No.1 in G minor, Op.26: 1. Vorspiel (Allegro moderato) | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields, Sir Neville Marriner | C Minor | 1 | 5A | 84 BPM | ||
Piano Concerto No. 2 in A Major, S. 125: 4. Allegro animato - Stretto (molto accelerando) | Franz Liszt, Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa | A Major | 4 | 11B | 89 BPM | ||
Violin Sonata No. 3 in C Minor, Op. 45: III. Allegro animato | Edvard Grieg, Renaud Capuçon, Khatia Buniatishvili | A♭ Major | 1 | 4B | 122 BPM | ||
Concerto in D Minor for Two Violins, BWV 1043: Concerto in D Minor for Two Violins, BWV 1043: II. Largo ma non tanto | Johann Sebastian Bach, Andrew Manze, Academy of Ancient Music | E Major | 2 | 12B | 87 BPM | ||
Symphony No. 5 in B-Flat Major, D. 485: 1. Allegro | Franz Schubert, Wiener Philharmoniker, Claudio Abbado | G Major | 0 | 9B | 156 BPM | ||
Martha: Act I: Finale: Vorwarts, Bob - Recitative: Wetter, ein paar schmucke Kinder! - Ich kann mahen (Lady, Nancy, Tristan, Plumkett, Lyonel, Maids, Tenants) | Friedrich von Flotow, Erna Berger, Josef Greindl, Eugen Fuchs, Berlin State Opera Chorus, Johannes Schüler, Staatskapelle Berlin, Peter Anders, Else Tegetthoff | D Major | 4 | 10B | 137 BPM |
Section: 0.9251341819763184
End: 0.9316880702972412