Friedrich von Flotow, Erna Berger, Josef Greindl, Eugen Fuchs, Berlin State Opera Chorus, Johannes Schüler, Staatskapelle Berlin, Peter Anders, Else Tegetthoff made "Martha: Act I: Finale: Vorwarts, Bob - Recitative: Wetter, ein paar schmucke Kinder! - Ich kann mahen (Lady, Nancy, Tristan, Plumkett, Lyonel, Maids, Tenants)" available on 1962. With Martha: Act I: Finale: Vorwarts, Bob - Recitative: Wetter, ein paar schmucke Kinder! - Ich kann mahen (Lady, Nancy, Tristan, Plumkett, Lyonel, Maids, Tenants) being less than two minutes long, at 1:51, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 8 out of 25 in FLOTOW, F. Von: Martha (Opera) [Schuler] [1944] by Friedrich von Flotow, Johannes Schüler, Berlin State Opera Chorus, Staatskapelle Berlin. Based on our statistics, Martha: Act I: Finale: Vorwarts, Bob - Recitative: Wetter, ein paar schmucke Kinder! - Ich kann mahen (Lady, Nancy, Tristan, Plumkett, Lyonel, Maids, Tenants)'s popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Martha: Act I: Finale: Vorwarts, Bob - Recitative: Wetter, ein paar schmucke Kinder! - Ich kann mahen (Lady, Nancy, Tristan, Plumkett, Lyonel, Maids, Tenants) by Friedrich von Flotow, Erna Berger, Josef Greindl, Eugen Fuchs, Berlin State Opera Chorus, Johannes Schüler, Staatskapelle Berlin, Peter Anders, Else Tegetthoff is Allegro (fast, quick, and bright), since this song has a tempo of 137 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Puccini: Tosca, Act 2: "Vissi d'arte" | Giacomo Puccini, Angela Gheorghiu, Emmanuel Villaume, PKF-Prague Philharmonia | E♭ Major | 1 | 5B | 68 BPM | ||
Tosca | Renata Tebaldi, Chorus and Orchestra of the Accademia di Santa Cecilia, Rome, Francesco Molinari-Pradelli | D Major | 2 | 10B | 112 BPM | ||
Carmen: Act II: Couplets: Votre toast, je peux vous le rendre (Escamillo, Chorus, Carmen) | Georges Bizet, Giorgio Lamberti, Alan Titus, Graciela Alperyn, Doina Palade, Ann Liebeck, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Alexander Rahbari | E Minor | 1 | 9A | 73 BPM | ||
La Wally: Ebben? Ne andrò lontana | Alfredo Catalani, Miriam Gauci, Brussels Philharmonic, Ali Rahbari | E Major | 1 | 12B | 88 BPM | ||
Mattinata (Orch. Luck) | Ruggero Leoncavallo, Freddie De Tommaso, London Philharmonic Orchestra, Renato Balsadonna | B Major | 3 | 1B | 84 BPM | ||
Delibes: Lakmé, Act 2: "Où va la jeune hindoue" (Lakmé) | Léo Delibes, Alain Lombard, Mady Mesple, Orchestre du Theatre National de IOpera-Comique | E Minor | 1 | 9A | 70 BPM | ||
Tosca: Act II: Vissi d'arte, vissi d'amore (Tosca, Scarpia) | Giacomo Puccini, Nelly Miricioiu, Giorgio Lamberti, Silvano Carroli, Andrea Piccinni, Miroslav Dvorský, Jan Durco, Stanislav Beňačka, Jozef Spacek, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Raimo Sirkia, Slovak Chamber Choir, Alexander Rahbari, Markus Lehtinen | A♭ Major | 3 | 4B | 176 BPM | ||
Massenet: Thaïs, Act 2: "Celle qui vient est plus belle" (La charmeuse, Crobyle, Myrtale) | Jules Massenet, Sabine Devieilhe, Jodie Devos, Marianne Crebassa, Les Siècles, François-Xavier Roth | C Minor | 1 | 5A | 98 BPM | ||
Symphonie n°3 en mi bémol majeur, Op. 97 Symphonie Rhénane: Lebhaft | Robert Schumann, Staatsorchester Rheinische Philharmonie, Kurt Redel | E♭ Major | 1 | 5B | 112 BPM | ||
Carmina Burana: In trutina | Carl Orff, Lucia Popp, Kurt Eichhorn | E♭ Minor | 1 | 2A | 62 BPM |
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