"Symphony No. 3 in C Minor, Op. 78, R. 176 "Organ Symphony": IIb. Maestoso" by Camille Saint-Saëns, Lorin Maazel, Anthony Newman, Pittsburgh Symphony Orchestra was released on 1993. Since Symphony No. 3 in C Minor, Op. 78, R. 176 "Organ Symphony": IIb. Maestoso is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 7 in the song's album "Saint-Saëns: Symphony No. 3 "Organ Symphony", Phaéton, Danse macabre & Samson et Delila: Bacchanale". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. In terms of popularity, Symphony No. 3 in C Minor, Op. 78, R. 176 "Organ Symphony": IIb. Maestoso is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Symphony No. 3 in C Minor, Op. 78, R. 176 "Organ Symphony": IIb. Maestoso by Camille Saint-Saëns, Lorin Maazel, Anthony Newman, Pittsburgh Symphony Orchestra having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bagatelle No. 25 in A Minor, "Für Elise", WoO 59 | Lang Lang | A Minor | 0 | 8A | 133 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio (Excerpt) | Max Bruch, Yehudi Menuhin, Philharmonia Orchestra, Walter Susskind | E♭ Major | 1 | 5B | 105 BPM | ||
Peer Gynt, Op. 23: Act II, 7, In the Hall of the Mountain King | Edvard Grieg, Esa-Pekka Salonen | B Minor | 2 | 10A | 104 BPM | ||
Saint-Saëns / Arr. Hazell: Le carnaval des animaux: XIII. Le cygne | Camille Saint-Saëns, Han-Na Chang, Leonard Slatkin, Philharmonia Orchestra, Aline Brewer | C Major | 1 | 8B | 86 BPM | ||
Shostakovich: Fugue No. 7 In A Major | Dmitri Shostakovich, Joachim Kwetzinsky | A Major | 1 | 11B | 79 BPM | ||
6 Pieces for Piano, P. 44: No. 3. Notturno. Lento (Version for Harp) | Ottorino Respighi, Magdalena Hoffmann | F♯ Major | 0 | 2B | 88 BPM | ||
Saint-Saens: The Carnival of the Animals - A zoological fantasy: Introduction and Royal March of the Lion | Camille Saint-Saëns, John Ogdon, Louis Frémaux, City Of Birmingham Symphony Orchestra | G Major | 3 | 9B | 184 BPM | ||
Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 5 in F-Sharp Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | G Minor | 1 | 6A | 83 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM |
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