György Ligeti, Berlin Philharmonic Wind Quintet's '6 Bagatelles: II. Rubato - Lamentoso' came out on May 31, 1994. The duration of 6 Bagatelles: II. Rubato - Lamentoso is about 3 minutes long, at 3:12. Based on our data, "6 Bagatelles: II. Rubato - Lamentoso" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 31 in the song's album "Szervanszky / Orban / Ligeti / Kurtag: Wind Quintets". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Sweden. 6 Bagatelles: II. Rubato - Lamentoso is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 6 Bagatelles: II. Rubato - Lamentoso by György Ligeti, Berlin Philharmonic Wind Quintet having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 1/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet No. 1 "Kreutzer Sonata": String Quartet No. 1 "Kreutzer Sonata": I. Adagio. Con moto | Leoš Janáček, Melos Quartet | E Major | 1 | 12B | 81 BPM | ||
Lutoslawski : Concerto for Orchestra : I Intrada - Allegro maestoso | Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra | F♯ Minor | 1 | 11A | 128 BPM | ||
String Quartet No. 5: I. — | Philip Glass, Carducci String Quartet | C Minor | 1 | 5A | 109 BPM | ||
Symphony No.2: 1. Andante moderato | Charles Ives, New York Philharmonic, Leonard Bernstein | D Major | 1 | 10B | 112 BPM | ||
Serenade: I. Passacaglia | Krzysztof Penderecki, Warsaw Philharmonic Chamber Orchestra, Antoni Wit | G Major | 0 | 9B | 85 BPM | ||
In a Lonely Place | Cho Young-Wuk | G Major | 2 | 9B | 174 BPM | ||
Le Grand Macabre: Akt II - Psssst! | György Ligeti, Vienna Radio Symphony Orchestra, ORF Chor, Elgar Howarth | G Major | 2 | 9B | 177 BPM | ||
Romance | Toru Takemitsu, Kotaro Fukuma | G Minor | 0 | 6A | 164 BPM | ||
Quatuor pour la fin du Temps: VIII. Louange à l'immortalité de Jésus | Olivier Messiaen, Lucas Debargue | E Major | 0 | 12B | 76 BPM | ||
Quartet for the End of Time | Olivier Messiaen, The Fibonacci Sequence, Jack Liebeck, Julian Farrell, Benjamin Hughes, Kathron Sturrock | F♯ Major | 1 | 2B | 103 BPM |
Section: 0.947253942489624
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