"Serenade: I. Passacaglia" by Krzysztof Penderecki, Warsaw Philharmonic Chamber Orchestra, Antoni Wit was released on February 7, 2012. The duration of Serenade: I. Passacaglia is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Serenade: I. Passacaglia's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Penderecki: Sinfoniettas - Oboe Capriccio". In this album, this song's track order is #4. Serenade: I. Passacaglia is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Serenade: I. Passacaglia by Krzysztof Penderecki, Warsaw Philharmonic Chamber Orchestra, Antoni Wit having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 5/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nashville Concerto: III. Rondo - Scherzo | Jurgen De Pillecyn, Eddy Vanoosthuyse, Ataneres Ensemble, Erik Desimpelaere | A♭ Major | 1 | 4B | 83 BPM | ||
Love's Labour's Lost, Op. 28a: II. Longaville's Sonnet | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | D Minor | 0 | 7A | 94 BPM | ||
The Tempest: Suite No. 2, Op. 109: VI. Miranda | Jean Sibelius, Iceland Symphony Orchestra, Petri Sakari | A Minor | 1 | 8A | 109 BPM | ||
Fantastic Dance | Frederick Delius, Royal Scottish National Orchestra, David Lloyd-Jones | G Major | 1 | 9B | 72 BPM | ||
Schließe mir die Augen beide | Alban Berg, Daniel Hope, Simon Crawford-Phillips | C Major | 0 | 8B | 117 BPM | ||
Lamentate: Minacciando | Arvo Pärt, Alexei Lubimov, Andrey Boreyko, Radio-Sinfonieorchester Stuttgart | C Major | 0 | 8B | 72 BPM | ||
Perla w koronie (Pearl in the Crown): Cue numbers 28 | Wojciech Kilar, Jacek Mentel, Cracow Philharmonic Chorus, Polish National Radio Symphony Orchestra, Antoni Wit | F♯ Minor | 1 | 11A | 115 BPM | ||
7 Gates of Jerusalem: De profundis | Krzysztof Penderecki, Sinfonia Varsovia | B♭ Minor | 0 | 3A | 95 BPM | ||
The Planets, Op. 32: VII. Neptune, the Mystic | Gustav Holst, Leonard Bernstein, New York Philharmonic | E Major | 0 | 12B | 84 BPM | ||
Debussy: Syrinx, L. 129 | Claude Debussy, Emmanuel Pahud | B Major | 0 | 1B | 165 BPM |
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