"Perla w koronie (Pearl in the Crown): Cue numbers 28" by Wojciech Kilar, Jacek Mentel, Cracow Philharmonic Chorus, Polish National Radio Symphony Orchestra, Antoni Wit was released on January 1, 2003. The duration of Perla w koronie (Pearl in the Crown): Cue numbers 28 is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Perla w koronie (Pearl in the Crown): Cue numbers 28's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Wojciech Kilar's "Kilar: Bram Stoker's Dracula / Death and the Maiden" album is number 18 out of 18. In terms of popularity, Perla w koronie (Pearl in the Crown): Cue numbers 28 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Perla w koronie (Pearl in the Crown): Cue numbers 28 by Wojciech Kilar, Jacek Mentel, Cracow Philharmonic Chorus, Polish National Radio Symphony Orchestra, Antoni Wit to be Moderato (at a moderate speed) because the track has a tempo of 115 BPM, a half-time of 58BPM, and a double-time of 230 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
The music key of this track is F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cantata of the Departed | AKIRA HONDA | C Minor | 2 | 5A | 118 BPM | ||
The Bottling Factory | Christopher Willis | A Minor | 5 | 8A | 128 BPM | ||
The Godfather: I. Sicilian Pastorale | Nino Rota, Riccardo Muti, Milan La Scala Philharmonic Orchestra | B♭ Minor | 0 | 3A | 66 BPM | ||
Czech Suite, Op. 39, B. 93: V. Finale (Furiant) | Antonín Dvořák, Polish National Radio Symphony Orchestra, Antoni Wit | D Major | 0 | 10B | 87 BPM | ||
Napoleon | Martin Phipps, Latvian Radio Choir, BBC National Orchestra Of Wales | F Major | 3 | 7B | 81 BPM | ||
St. Luke Passion: Part I: Iudica me, Deus (Psalm 42) | Krzysztof Penderecki, Izabela Klosinska, Krzysztof Kolberger, Adam Kruszewski, Romuald Tesarowicz, Warsaw Boys Choir, Warsaw Philharmonic Choir, Warsaw Philharmonic Orchestra, Antoni Wit | F♯ Minor | 0 | 11A | 137 BPM | ||
Dido Goes To Courts | Rachel Portman | E♭ Major | 0 | 5B | 131 BPM | ||
The Skybax Dawn Flight | Trevor Jones | D Minor | 5 | 7A | 77 BPM | ||
A Polish Requiem: Lux aeterna | Antoni Wit | B♭ Major | 0 | 6B | 87 BPM | ||
End Titles - From "The Peacemaker" | London Music Works | G Minor | 4 | 6A | 88 BPM |
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