"Sindbad, ein Märchen (Sinbad, a Fairy Tale), Op. 49: Cycle II: No. 7, Zwangsbegräbnis [Buried Alive]" by Carlo Domeniconi, Celil Refik Kaya was released on March 24, 2023. With this song being about 5 minutes long, at 4:31, "Sindbad, ein Märchen (Sinbad, a Fairy Tale), Op. 49: Cycle II: No. 7, Zwangsbegräbnis [Buried Alive]" by Carlo Domeniconi, Celil Refik Kaya is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 14 out of 21 in Domeniconi: Sinbad, a Fairy Tale for Solo Guitar by Carlo Domeniconi, Celil Refik Kaya. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. In terms of popularity, Sindbad, ein Märchen (Sinbad, a Fairy Tale), Op. 49: Cycle II: No. 7, Zwangsbegräbnis [Buried Alive] is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sindbad, ein Märchen (Sinbad, a Fairy Tale), Op. 49: Cycle II: No. 7, Zwangsbegräbnis [Buried Alive] by Carlo Domeniconi, Celil Refik Kaya is Andante (at a walking pace), since this song has a tempo of 99 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Desert Blooms | Jeffrey McFadden | E Minor | 0 | 9A | 180 BPM | ||
25 Etudes, Op. 38: No. 23 in A Major: Moderato | Napoléon Coste, Jeffrey McFadden | D Major | 2 | 10B | 119 BPM | ||
Misionera (arr. J. Morel for guitar) | Fernando Bustamante, Jorge Morel, Celil Refik Kaya | A Minor | 1 | 8A | 103 BPM | ||
Verano Porteno | Astor Piazzolla, Simon Dinnigan | A Minor | 1 | 8A | 120 BPM | ||
5 Preludios: No. 2, Preludio Triston | Maximo Diego Pujol, Jason Vieaux | C Major | 0 | 8B | 88 BPM | ||
Bardenklange, Op. 13: Fingals Hohle (Fingal's Cave) | Johann Kaspar Mertz, Adam Holzman | G Major | 1 | 9B | 100 BPM | ||
Gita no tame no juni no uta (12 Songs for Guitar): No. 2. Lennon / McCartney: Yesterday | Toru Takemitsu, Shin-ichi Fukuda | A Major | 0 | 11B | 94 BPM | ||
Sonatina canonica, Op. 196: II. Tempo di Siciliane | Mario Castelnuovo-Tedesco, Brasil Guitar Duo | A Minor | 0 | 8A | 91 BPM | ||
3 Piezas Rioplatenses: Don Julian | Maximo Diego Pujol, Victor Villadangos | C Major | 1 | 8B | 150 BPM | ||
Rafaga | Joaquín Turina, Sebastien Llinares | A Major | 3 | 11B | 104 BPM |
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