"Bardenklange, Op. 13: Fingals Hohle (Fingal's Cave)" by Johann Kaspar Mertz, Adam Holzman was released on March 14, 2002. The duration of Bardenklange, Op. 13: Fingals Hohle (Fingal's Cave) is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Bardenklange, Op. 13: Fingals Hohle (Fingal's Cave)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Johann Kaspar Mertz's "Mertz: Bardenklange, Op. 13" album is number 3 out of 19. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, Bardenklange, Op. 13: Fingals Hohle (Fingal's Cave) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Bardenklange, Op. 13: Fingals Hohle (Fingal's Cave) by Johann Kaspar Mertz, Adam Holzman to be Andante (at a walking pace) because the track has a tempo of 100 BPM, a half-time of 50BPM, and a double-time of 200 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Water color Scalar: I. Prelude | Shin-ichi Fukuda | D Minor | 1 | 7A | 177 BPM | ||
Carcassi Op.60 N.3 Andantino | Matteo Carcassi, Lucio Matarazzo | A Major | 2 | 11B | 118 BPM | ||
Les guitares bien temperees (The Well-Tempered Guitars): Preludes and Fugues, Op. 199: Prelude No. 5 in B Minor | Mario Castelnuovo-Tedesco, Brasil Guitar Duo | A Minor | 0 | 8A | 97 BPM | ||
Variations on a Theme of Sor, Op. 15: Var. X - Toda esta variacion con la mano izquierda sola | Miguel Llobet Solés, Lorenzo Micheli | E Minor | 2 | 9A | 150 BPM | ||
4 Valses Venezolanos: Vals No. 2 | Antonio Lauro, Adam Holzman | E Minor | 1 | 9A | 99 BPM | ||
Romance de Abindarraéz y Jarifa | Diego Pisador, Los Angeles Guitar Quartet | G Major | 1 | 9B | 126 BPM | ||
36 Caprices, Op. 20: VII. Prestissimo | Luigi Legnani, Pavel Steidl | A Major | 2 | 11B | 136 BPM | ||
Sainz de la Maza: Zapateado | Regino Sáinz de la Maza, Thibaut García | E Major | 1 | 12B | 135 BPM | ||
Preludes, W419: IV. Lento | Heitor Villa-Lobos, Mickael Viegas | E Minor | 0 | 9A | 72 BPM | ||
Sonata K 40 | Domenico Scarlatti, Abel Carlevaro | A Major | 2 | 11B | 138 BPM |
Section: 0.6720890998840332
End: 0.6761865615844727