Maximo Diego Pujol, Jason Vieaux's '5 Preludios: No. 2, Preludio Triston' came out on September 17, 1996. The duration of 5 Preludios: No. 2, Preludio Triston is about 3 minutes long, at 3:17. Based on our data, "5 Preludios: No. 2, Preludio Triston" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Jason Vieaux's "Guitar Recital: Jason Vieaux" album is number 5 out of 17. On top of that, Hong Kong appears to be the country where this track was created. 5 Preludios: No. 2, Preludio Triston is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 5 Preludios: No. 2, Preludio Triston by Maximo Diego Pujol, Jason Vieaux to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Aire vasco, Op. 19 | Antonio Jiménez Manjón, Andrea González Caballero | B Minor | 1 | 10A | 159 BPM | ||
Danza Brasilera | Jorge Morel, Celil Refik Kaya | A Minor | 1 | 8A | 117 BPM | ||
Evocación | Maximo Diego Pujol | E Minor | 2 | 9A | 176 BPM | ||
Suite populaire Brésilienne, W020: III. Valsa-chôro | Heitor Villa-Lobos, Mickael Viegas | E Minor | 1 | 9A | 101 BPM | ||
Canarios | Gaspar Sanz, Simon Dinnigan | D Major | 1 | 10B | 96 BPM | ||
Sonata 1909: I. Una tarde de febrero | Quinteto1909, Maximo Diego Pujol | E Minor | 1 | 9A | 150 BPM | ||
El Testament d'Amelia (arr. Miguel Llobet) | Anonymous, Michael Ibsen | D Minor | 0 | 7A | 99 BPM | ||
Garota de Ipanema (Girl from Ipanema) | Antônio Carlos Jobim, Graham Anthony Devine | E Minor | 0 | 9A | 174 BPM | ||
Les guitares bien temperees (The Well-Tempered Guitars): Preludes and Fugues, Op. 199: Prelude No. 4 in E Major | Mario Castelnuovo-Tedesco, Brasil Guitar Duo | E Major | 1 | 12B | 88 BPM | ||
Capriccio, Op. 195, No. 18, "El sueno de la razon produce monstruos": No. 1. Francisco Goya y Lucientes, Pintor (Francisco Goya y Lucientes, Painter) | Mario Castelnuovo-Tedesco, Zoran Dukic | A Minor | 1 | 8A | 108 BPM |
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