Mario Castelnuovo-Tedesco, Zoran Dukic's 'Capriccio, Op. 195, No. 18, "El sueno de la razon produce monstruos": No. 1. Francisco Goya y Lucientes, Pintor (Francisco Goya y Lucientes, Painter)' came out on March 31, 2009. With this song being around four minutes long, at 3:52, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 1 out of 24 in Castelnuovo-Tedesco, M.: 24 Caprichos De Goya by Mario Castelnuovo-Tedesco, Zoran Dukic. In terms of popularity, Capriccio, Op. 195, No. 18, "El sueno de la razon produce monstruos": No. 1. Francisco Goya y Lucientes, Pintor (Francisco Goya y Lucientes, Painter) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Capriccio, Op. 195, No. 18, "El sueno de la razon produce monstruos": No. 1. Francisco Goya y Lucientes, Pintor (Francisco Goya y Lucientes, Painter) by Mario Castelnuovo-Tedesco, Zoran Dukic is Andante (at a walking pace), since this song has a tempo of 108 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Habanera | Eduardo Sainz De La Maza, Margarita Escarpa | G Major | 0 | 9B | 106 BPM | ||
Guitar Concerto No. 1 in D Major, Op. 99: II. Andantino alla romanza | Mario Castelnuovo-Tedesco, Marcos Tsessos, Chamber Orchestra Of The St. Petersburg Philharmony, Vladimir Altshuler, St. Petersburg Chamber Philharmonic | C Minor | 0 | 5A | 106 BPM | ||
Prelúdio No. 4 | Sergio & Odair Assad | B♭ Major | 0 | 6B | 102 BPM | ||
25 Etudes, Op. 38: No. 3 in D Minor: Prelude | Napoléon Coste, Jeffrey McFadden | D Minor | 0 | 7A | 116 BPM | ||
Aires de Vidalita | Abel Carlevaro | D Minor | 1 | 7A | 113 BPM | ||
Les guitares bien temperees (The Well-Tempered Guitars): Preludes and Fugues, Op. 199: Prelude No. 3 in A Minor | Mario Castelnuovo-Tedesco, Brasil Guitar Duo | A Minor | 0 | 8A | 96 BPM | ||
Estudios sencillos: No. 6. Lo mas rapido posible | Leo Brouwer, Joaquin Clerch | E Major | 1 | 12B | 138 BPM | ||
24 Progressive Lessons, Op. 31: No. 6, Andante | Fernando Sor, Enea Leone | C Major | 1 | 8B | 134 BPM | ||
Aquarelle: II. Valseana | Sergio Assad, Graham Anthony Devine | D Major | 0 | 10B | 102 BPM | ||
Danza Española (Spanish Dance No. 5) | Enrique Granados, Jonathan Richter | D Major | 3 | 10B | 96 BPM |
Section: 0.5834846496582031
End: 0.5876038074493408