Mario Castelnuovo-Tedesco, Brasil Guitar Duo's 'Les guitares bien temperees (The Well-Tempered Guitars): Preludes and Fugues, Op. 199: Prelude No. 3 in A Minor' came out on November 18, 2008. The duration of Les guitares bien temperees (The Well-Tempered Guitars): Preludes and Fugues, Op. 199: Prelude No. 3 in A Minor is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Les guitares bien temperees (The Well-Tempered Guitars): Preludes and Fugues, Op. 199: Prelude No. 3 in A Minor's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 27 in Castelnuovo-Tedesco, M.: Music for Two Guitars, Vol. 1 - Sonatina Canonica / Les Guitares Bien Temperees: Nos. 1-12 by Mario Castelnuovo-Tedesco, Brasil Guitar Duo. In terms of popularity, Les guitares bien temperees (The Well-Tempered Guitars): Preludes and Fugues, Op. 199: Prelude No. 3 in A Minor is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Les guitares bien temperees (The Well-Tempered Guitars): Preludes and Fugues, Op. 199: Prelude No. 3 in A Minor by Mario Castelnuovo-Tedesco, Brasil Guitar Duo is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Guitar Sonata in A Major, Op. 29, No. 2 (arr. J. Bream for guitar): IV. Rondo: Allegretto | Julian Bream, Anton Diabelli, Kyuhee Park | A Major | 1 | 11B | 76 BPM | ||
Etude No. 5 | Heitor Villa-Lobos, Marco Antonio Anguiano | E Minor | 1 | 9A | 77 BPM | ||
Suite compostelana: V. Cancion | Federico Mompou, Scott Tennant | A Minor | 0 | 8A | 126 BPM | ||
24 Studies, Op. 35, "Exercises": Study No. 14 in D Minor | Fernando Sor, Timo Korhonen | A Minor | 0 | 8A | 112 BPM | ||
Stepping Lightly | Jeffrey McFadden | C Major | 1 | 8B | 119 BPM | ||
Les guitares bien temperees (The Well-Tempered Guitars): Preludes and Fugues, Op. 199: Fugue No. 1 in G Minor | Mario Castelnuovo-Tedesco, Brasil Guitar Duo | G Minor | 1 | 6A | 140 BPM | ||
Studio Op.48 N.23 - Allegro Con Moto | Mauro Giuliani, Lucio Matarazzo | B Minor | 2 | 10A | 130 BPM | ||
アストゥリアス | Isaac Albéniz, Kyuhee Park | A Major | 1 | 11B | 84 BPM | ||
Luis Milán : Tres pavanas | Renata Tarragó | E♭ Major | 1 | 5B | 108 BPM | ||
Guitar Sonata in A Major, Op. 29, No. 2 (arr. J. Bream for guitar): I. Allegro moderato | Julian Bream, Anton Diabelli, Kyuhee Park | E Major | 1 | 12B | 100 BPM |
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