Marco Uccellini, Nicholas McGegan, The Arcadian Academy's 'Sonate, correnti et arie, Op. 4: Sonata XXVII' came out on November 10, 1993. With this song being around four minutes long, at 4:15, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 18 in the song's album "Uccellini: "La bergamasca"". In this album, this song's track order is #15. Furthermore, we believe that the track originated from United States. In terms of popularity, Sonate, correnti et arie, Op. 4: Sonata XXVII is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sonate, correnti et arie, Op. 4: Sonata XXVII by Marco Uccellini, Nicholas McGegan, The Arcadian Academy having a BPM of 119 with a half-time of 60 BPM and a double-time of 238 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Little Consort in Two Parts for Severall Friends in C minor-major: II. Pavan | Matthew Locke, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Marini: Scherzi e canzonette, Op. 5: La vecchia innamorata (Instrumental Version) | Biagio Marini, Il Pomo D'oro | F Major | 2 | 7B | 103 BPM | ||
Amphitryon, Z. 572, "The 2 Sosias": V. Air | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | F♯ Minor | 2 | 11A | 91 BPM | ||
La morte della Ragione (Pavana) | Anonymous, Il Giardino Armonico, Giovanni Antonini | A♭ Major | 4 | 4B | 154 BPM | ||
Aria sopra la Bergamasca | Marco Uccellini, Jean Tubéry, La Fenice | C Major | 1 | 8B | 124 BPM | ||
Sonata No. 2 in A Major, C. 91 "The Visitation": Sonata - Allemanda - Presto | Heinrich Ignaz Franz von Biber, Rachel Podger, David Miller, Marcin Świątkiewicz, Jonathan Manson | A♭ Major | 1 | 4B | 67 BPM | ||
Ciaccona | Johann Pachelbel, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | A Minor | 1 | 8A | 80 BPM | ||
Trio Sonata in D Minor, Op. 3 No. 5: II. Allegro | Arcangelo Corelli, Ensemble Aurora, Enrico Gatti | F♯ Minor | 0 | 11A | 136 BPM | ||
Le Bourgeois Gentilhomme, LWV 43: Canaries (1670) | Jean-Baptiste Lully, Jordi Savall, Le Concert Des Nations | D Minor | 3 | 7A | 84 BPM | ||
Sinfonia | Biagio Marini, Odhecaton, Paolo da Col | A Minor | 1 | 8A | 115 BPM |
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