"Sinfonia" by Biagio Marini, Odhecaton, Paolo da Col was released on April 27, 2018. With Sinfonia being less than two minutes long, at 1:39, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Claudio Monteverdi, Odhecaton, Paolo da Col's "Monteverdi: In San Marco" album is number 8 out of 10. In terms of popularity, Sinfonia is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sinfonia by Biagio Marini, Odhecaton, Paolo da Col to be Moderato (at a moderate speed) because the track has a tempo of 115 BPM, a half-time of 58BPM, and a double-time of 230 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
In secundo nocturno: Responsorium V. O vos omnes | Paolo Aretino, Odhecaton, Paolo da Col | F♯ Minor | 1 | 11A | 136 BPM | ||
32 courantes: No. 10, L'immortelle in D Minor | Ennemond Gaultier, Rolf Lislevand | D♭ Minor | 1 | 12A | 129 BPM | ||
Byrd: In nomine a 4 I | William Byrd, Fretwork | C Minor | 0 | 5A | 115 BPM | ||
Sacrarum cantionum quinque vocibus, Liber primus: Tribulationem et dolorem inveni | Carlo Gesualdo, Odhecaton, Ensemble Mare Nostrum, Paolo da Col | F Major | 1 | 7B | 86 BPM | ||
Acis et Galatée, LWV 73: Passacaille | Jean-Baptiste Lully, Les Musiciens De Saint-Julien, François Lazarevitch | B♭ Major | 2 | 6B | 113 BPM | ||
Ayres for the Violin (arr. for guitar): Aria I | Nicola Matteis, Pierre Pitzl | B Minor | 2 | 10A | 86 BPM | ||
Pascha nostrum | Giovanni Pierluigi da Palestrina, Odhecaton, Paolo da Col | G Major | 1 | 9B | 127 BPM | ||
Sua Corrente | Francesco Corbetta, Pierre Pitzl, Private Musicke | D♭ Minor | 1 | 12A | 135 BPM | ||
An Almaine | Tobias Hume, Labyrinto, Paolo Pandolfo | D♭ Minor | 0 | 12A | 112 BPM | ||
Trattado de glosas: Recercada Doulce Memoire | Diego Ortiz, Les Basses Réunies, Bruno Cocset | B Major | 1 | 1B | 97 BPM |
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