"Da pacem, Domine, SWV 465" by Heinrich Schütz, Ricercar Consort, Philippe Pierlot, Hanna Bayodi-Hirt, Yetzabel Arias, Olivier Coiffet, Hugo Hymas, Matthias Vieweg was released on March 8, 2024. Da pacem, Domine, SWV 465 is about six minutes long, preciously at 5:50, making this song fairly long compared to other songs. The song is number 2 out of 13 in Da Pacem by Heinrich Schütz, Ricercar Consort, Philippe Pierlot. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Da pacem, Domine, SWV 465's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Da pacem, Domine, SWV 465 by Heinrich Schütz, Ricercar Consort, Philippe Pierlot, Hanna Bayodi-Hirt, Yetzabel Arias, Olivier Coiffet, Hugo Hymas, Matthias Vieweg is Allegro (fast, quick, and bright), since this song has a tempo of 135 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
All'imperio d'Amore: 2. O fortunato giorno a 30 "La Pellegrina" | Cristofano Malvezzi, Ensemble Pygmalion, Raphael Pichon | G Minor | 3 | 6A | 113 BPM | ||
Feria quinta in coena domini: Lamentatio Jeremiae Prophetae. Lectio prima "Jerusalem, convertere ad Dominum" | Tomás Luis de Victoria, Jordi Savall, Le Concert Des Nations | E Major | 3 | 12B | 70 BPM | ||
Psalmen Davids, Op. 2: No. 8, Wie lieblich sind deine Wohnungen, SWV 29 "Psalm 84" | Heinrich Schütz, Dorothee Mields, Marie Luise Werneburg, David Erler, Georg Poplutz, Tobias Mathger, Felix Rumpf, Felix Schwandtke, Dresdner Barockorchester, Dresdner Kammerchor, Hans-Christoph Rademann | G Major | 1 | 9B | 79 BPM | ||
Secunda die Lectio prima: VI. Hierusalem convertere ad dominum tuum | Emilio de' Cavalieri, Le Poème Harmonique, Vincent Dumestre | F♯ Major | 2 | 2B | 91 BPM | ||
Handel: Esther, HWV 50b, Act 2: "Who Calls My Parting Soul from Death?" (Esther, Ahasuerus) | George Frideric Handel, Jupiter, Thomas Dunford, Iestyn Davies, Lea Desandre | E Minor | 1 | 9A | 59 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: V. Sanctus, 1. Sanctus, Dominus Deus | Niccolò Jommelli, Gudrun Sidonie Otto, Il Gardellino, Helen Charlston, Daniel Johannsen, Peter Van Heyghen | B♭ Minor | 2 | 3A | 77 BPM | ||
Le Concert royal de la Nuit, Troisième Veille, Hercule amoureux: "Dormi, dormi, o Sonno, dormi" (Aure, Ruscelli) | Francesco Cavalli, Davy Cornillot, Etienne Bazola, Nicolas Brooymans, Ensemble Correspondances, Sébastien Daucé | B Major | 0 | 1B | 84 BPM | ||
Geistliche Chor-Music, Op. 11: No. 23, Selig sind die Toten, SWV 281 | Heinrich Schütz, The Cambridge Singers, Mark Williams, John Rutter | G Major | 1 | 9B | 129 BPM | ||
Stabat Mater in F Minor, RV 621: No. 1., Stabat Mater dolorosa | Antonio Vivaldi, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri | B Minor | 1 | 10A | 113 BPM | ||
St. Matthew's Passion, SWV 479: VI. Sein Blut komme über uns | Heinrich Schütz, Württemberg Chamber Choir, Walter Heldwein, Dieter Kurz, Hans Peter Blochwitz | B♭ Major | 1 | 6B | 86 BPM |
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