Tomás Luis de Victoria, Jordi Savall, Le Concert Des Nations's 'Feria quinta in coena domini: Lamentatio Jeremiae Prophetae. Lectio prima "Jerusalem, convertere ad Dominum"' came out on September 3, 2021. With Feria quinta in coena domini: Lamentatio Jeremiae Prophetae. Lectio prima "Jerusalem, convertere ad Dominum" being less than two minutes long, at 1:05, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 88 in the song's album "Passion - Officivm Hebdomadæ Sanctæ". In this album, this song's track order is #11. Feria quinta in coena domini: Lamentatio Jeremiae Prophetae. Lectio prima "Jerusalem, convertere ad Dominum" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Feria quinta in coena domini: Lamentatio Jeremiae Prophetae. Lectio prima "Jerusalem, convertere ad Dominum" by Tomás Luis de Victoria, Jordi Savall, Le Concert Des Nations having a BPM of 70 with a half-time of 35 BPM and a double-time of 140 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sicut lilium inter spinas | Eleonora d'Este, Lyyra | F Major | 1 | 7B | 82 BPM | ||
Veu que du tout (Ps. 11) | Paschal de l'Estocart, Dominique Visse, Ensemble Clément Janequin | D♭ Minor | 2 | 12A | 115 BPM | ||
Hear My Prayer | Henry Purcell, Vox Luminis, Lionel Meunier | B Minor | 1 | 10A | 175 BPM | ||
Trois chansons de Charles d'Orleans L. 92: I. Dieu! qu'il la fait bon regarder | Claude Debussy, Netherlands Chamber Choir | A♭ Minor | 1 | 1A | 78 BPM | ||
Weihnachtslieder, Op. 8: No. 3, The Three Kings (Arr. Atkins/Park) | Peter Cornelius, Owain Park, The Gesualdo Six | G Major | 1 | 9B | 95 BPM | ||
6 Chansons: No. 6. Verger | Paul Hindemith, SWR Vokalensemble Stuttgart, Marcus Creed | C Minor | 3 | 5A | 133 BPM | ||
Requiem canticorum: Alleluia | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | F Major | 0 | 7B | 63 BPM | ||
Christus resurgens | Peter Philips, Sarum Consort, Andrew Mackay | B Major | 1 | 1B | 97 BPM | ||
Requiem: I heard a Voice from Heaven | Herbert Howells, Conspirare, Craig Hella Johnson | D Major | 0 | 10B | 84 BPM | ||
Missa Prolationum: Kyrie II | Johannes Ockeghem, L'ultima parola, Axelle Bernage, Bernd Oliver Fröhlich, Olivier Coiffet, Guillaume Olry | F Major | 1 | 7B | 76 BPM |
Section: 0.8939638137817383
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