Jacques Offenbach, Michel Plasson, Danièle Castaing, Françoise Gayral, Jean Christophe Benoit, Luis Masson, Mady Mesple, Michel Trempont, Éliane Lublin, Orchestre Du Capitole De Toulouse made "Offenbach: La vie parisienne, Act 3: Septuor. "Votre habit a craqué dans le dos !" - Dialogue. "Cher amiral, vous avez de beaux éperons" (Le Baron, Pauline, Bobinet, Gabrielle, Léonie, Clara, Louise)" available on September 15, 2023. The duration of Offenbach: La vie parisienne, Act 3: Septuor. "Votre habit a craqué dans le dos !" - Dialogue. "Cher amiral, vous avez de beaux éperons" (Le Baron, Pauline, Bobinet, Gabrielle, Léonie, Clara, Louise) is about 3 minutes long, at 3:03. Based on our data, "Offenbach: La vie parisienne, Act 3: Septuor. "Votre habit a craqué dans le dos !" - Dialogue. "Cher amiral, vous avez de beaux éperons" (Le Baron, Pauline, Bobinet, Gabrielle, Léonie, Clara, Louise)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 22 in the song's album "Offenbach: La vie parisienne". In this album, this song's track order is #16. Furthermore, we believe that the track originated from France. In terms of popularity, Offenbach: La vie parisienne, Act 3: Septuor. "Votre habit a craqué dans le dos !" - Dialogue. "Cher amiral, vous avez de beaux éperons" (Le Baron, Pauline, Bobinet, Gabrielle, Léonie, Clara, Louise) is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Offenbach: La vie parisienne, Act 3: Septuor. "Votre habit a craqué dans le dos !" - Dialogue. "Cher amiral, vous avez de beaux éperons" (Le Baron, Pauline, Bobinet, Gabrielle, Léonie, Clara, Louise) by Jacques Offenbach, Michel Plasson, Danièle Castaing, Françoise Gayral, Jean Christophe Benoit, Luis Masson, Mady Mesple, Michel Trempont, Éliane Lublin, Orchestre Du Capitole De Toulouse having a BPM of 111 with a half-time of 56 BPM and a double-time of 222 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Jazz Suite No. 2: III. Dance 1 | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | A Major | 3 | 11B | 153 BPM | ||
String Quartet in F, H.III No.17, Op.3 No.5 - "Serenade": 2. Andante cantabile | Roman Hoffstetter, I Musici | C Major | 0 | 8B | 88 BPM | ||
Dorfschwalben aus Osterreich, Op. 164 | Josef Strauss, Wiener Symphoniker, Manfred Honeck | E♭ Major | 1 | 5B | 94 BPM | ||
Die Walküre, WWV 86B / Act 1: "Winterstürme wichen dem Wonnemond" | Richard Wagner, Jonas Kaufmann, Mahler Chamber Orchestra, Claudio Abbado | F Major | 2 | 7B | 145 BPM | ||
Voices of Spring, Op. 410 | Johann Strauss II, Leonard Bernstein | B♭ Major | 2 | 6B | 110 BPM | ||
Klarinettenkonzert A-Dur, K. 622: 2. Adagio (Jenseits von Afrika): II. Adagio | Wolfgang Amadeus Mozart, David Shifrin, Mostly Mozart Orchestra, Gerard Schwarz | D Major | 0 | 10B | 78 BPM | ||
Ruslan and Ludmila: Overture | Mikhail Glinka, The USSR Bolshoy Theatre Orchestra, Yevgeny Svetlanov | F Major | 3 | 7B | 81 BPM | ||
Scheherazade: The voice of Scheherazade | Nikolai Rimsky-Korsakov, Joakim Svenheden | G Major | 1 | 9B | 132 BPM | ||
Madama Butterfly, SC 74 / Act 2: Addio fiorito asil | Giacomo Puccini, Freddie De Tommaso, Philharmonia Orchestra, Paolo Arrivabeni | B Minor | 2 | 10A | 89 BPM | ||
Carmen, Opera Suite No. 1: I. Prelude, Act 1 | London Festival Orchestra Alfred Scholz | G Minor | 1 | 6A | 47 BPM |
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