Leroy Anderson, Traditional, College of New Jersey Wind Ensemble, William Silvester made "O Come, Little Children" available on September 6, 2011. With O Come, Little Children being less than two minutes long, at 1:17, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Winds of the Season by William Silvester. The song's track number on the album is #11 out of 27 tracks. Based on our data, United States was the country where this track was produced or recorded. In terms of popularity, O Come, Little Children is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since O Come, Little Children by Leroy Anderson, Traditional, College of New Jersey Wind Ensemble, William Silvester has a tempo of 116 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With O Come, Little Children being at 116 BPM, the half-time would be 58 BPM with a double-time of 232 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Elite Syncopations (arr. I. Perlman for violin and piano) | Itzhak Perlman, Scott Joplin, Matthew Trusler, Wayne Marshall | G Major | 3 | 9B | 100 BPM | ||
Tchaikovsky Piano Concerto #1 | Roger Williams | F Major | 2 | 7B | 131 BPM | ||
Nabucco: Overture | Giuseppe Verdi, Berliner Philharmoniker, Claudio Abbado | F Major | 2 | 7B | 100 BPM | ||
The Song from Moulin Rouge (Alternate Take) | Percy Faith | G Major | 3 | 9B | 142 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): II. Aragonaise | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Minor | 0 | 7A | 117 BPM | ||
Fantasia on Greensleeves | Ralph Vaughan Williams, Ralph Greaves, New Zealand Symphony Orchestra, James Judd | C Minor | 0 | 5A | 78 BPM | ||
Walzer, Op. 307: Wiener Bonbons | Sinfonieorchester des Tschechischen Rundfunks, Otto Aebi | C Minor | 1 | 5A | 105 BPM | ||
The Alfred Hitchcock Theme | Frank Chacksfield & His Orchestra | D Major | 2 | 10B | 108 BPM | ||
Dances in the Canebrakes (Arr. W.G. Still for Orchestra): No. 3, Silk Hat and Walking Cane | Florence Beatrice Price, Chicago Sinfonietta, Mei-Ann Chen | F Major | 1 | 7B | 140 BPM | ||
Ponchielli: La Gioconda, Op. 9, Act 3: Dance of the Hours (Excerpt) | Amilcare Ponchielli, Sir Neville Marriner, Academy of St. Martin in the Fields | E Major | 0 | 12B | 79 BPM |
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