"Macbeth: Act III: Tre volte miagola" by Giuseppe Verdi, Stuttgart State Opera Chorus, Stuttgart State Orchestra, Lothar Zagrosek was released on August 1, 2010. The duration of Macbeth: Act III: Tre volte miagola is about 3 minutes long, at 3:05. Based on our data, "Macbeth: Act III: Tre volte miagola" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Stuttgart State Opera Chorus, Lothar Zagrosek's "Great Opera Choirs" album is number 5 out of 12. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Macbeth: Act III: Tre volte miagola's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Macbeth: Act III: Tre volte miagola by Giuseppe Verdi, Stuttgart State Opera Chorus, Stuttgart State Orchestra, Lothar Zagrosek to be Allegro (fast, quick, and bright) because the track has a tempo of 137 BPM, a half-time of 68BPM, and a double-time of 274 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'elisir d'amore / Act 2: "Una furtiva lagrima...Eccola!" | Gaetano Donizetti, Luciano Pavarotti, Dame Joan Sutherland, English Chamber Orchestra, Richard Bonynge | F Minor | 1 | 4A | 175 BPM | ||
Norma (1997 Digital Remaster): Sinfonia ( Orchestra) | Vincenzo Bellini, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | G Major | 1 | 9B | 141 BPM | ||
Verdi: Nabucco, Act 3: "Donna, chi sei?" (Nabucco, Abigaille) / Chi è costei?... Oh, di qual'onta aggravisi" (Nabucco, Abigaille) | Giuseppe Verdi, Philharmonia Orchestra, Riccardo Muti | A♭ Major | 2 | 4B | 78 BPM | ||
Lucia di Lammermoor / Act 3: Oh, giusto cielo!...Il dolce suono | Gaetano Donizetti, Dame Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Minor | 1 | 4A | 92 BPM | ||
Nabucco: Va, pensiero, sull'ali dorate (Chorus of the Hebrew Slaves) | Renato Cellini, Robert Shaw | A♭ Major | 1 | 4B | 168 BPM | ||
Puccini: Gianni Schicchi, Act 1: "O mio babbino caro" (Lauretta) | Giacomo Puccini, Maria Callas, Tullio Serafin, Philharmonia Orchestra | A♭ Major | 1 | 4B | 75 BPM | ||
Lucia di Lammermoor / Act 3: "Il dolce suono" | Gaetano Donizetti, Montserrat Caballé, Ann Murray, José Carreras, Claes-Håkon Ahnsjö, Vincenzo Sardinero, Samuel Ramey, New Philharmonia Orchestra, Jesús López-Cobos | D Minor | 0 | 7A | 84 BPM | ||
Rigoletto / Act 3: V'ho ingannato | Giuseppe Verdi, Ileana Cotrubas, Piero Cappuccilli, Wiener Philharmoniker, Carlo Maria Giulini | D♭ Major | 1 | 3B | 87 BPM | ||
Norma (1997 - Remaster), Act I, Scene 1: Casta diva (Norma/Coro) | Vincenzo Bellini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | F Major | 1 | 7B | 140 BPM | ||
La traviata, Act 1: "Libiamo, ne' lieti calici" (Live) | Dame Joan Sutherland, Luciano Pavarotti | B♭ Major | 2 | 6B | 79 BPM |
Section: 0.6372027397155762
End: 0.6419215202331543