"Membra Jesu Nostri, BuxWV 75, Ad manus: Aria "In cruore tuo lotum"" by Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Carlos Mena, Jeffrey Thompson, Matthias Vieweg had its release date on March 29, 2019. With This song being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 18 out of 50 in Buxtehude: Membra Jesu Nostri by Dietrich Buxtehude, Philippe Pierlot, Ricercar Consort. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Membra Jesu Nostri, BuxWV 75, Ad manus: Aria "In cruore tuo lotum" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Membra Jesu Nostri, BuxWV 75, Ad manus: Aria "In cruore tuo lotum" by Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Carlos Mena, Jeffrey Thompson, Matthias Vieweg is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pièces de viole, Tournus Manuscript: No. 83. Sarabande - No. 84. Double | Monsieur de Sainte-Colombe, Philippe Pierlot | B Major | 0 | 1B | 143 BPM | ||
Requeim in C Minor, ZWV. 48 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Monika Frimmer, Peter de Groot, Ian Honeyman, Peter Kooij, Paul Dombrecht | B Minor | 2 | 10A | 81 BPM | ||
King Arthur, Z. 628, Act V: Fairest Isle | Henry Purcell, Rachel Redmond, Peter Whelan, Irish Baroque Orchestra | A Major | 0 | 11B | 76 BPM | ||
Missa pro Quadragesima, MH 551: Credo: Et resurrexit | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | A♭ Major | 1 | 4B | 129 BPM | ||
Ho vinto, Amor (I) | Tommaso Carapella, Cappella Mediterranea, Leonardo García-Alarcón, Léo Fernique, Valerio Contaldo | B♭ Minor | 0 | 3A | 110 BPM | ||
The First Part of Ayres, French, Pollish and Others: No. 44. A Humorous Pauin | Tobias Hume, Philippe Pierlot | B Major | 0 | 1B | 143 BPM | ||
Missa S. Marcellini: XI. Amen - Live at Melk Abbey, 6/10/2000 | Johann Beer, Franz Raml | D♭ Major | 2 | 3B | 86 BPM | ||
Die Zeit, TWV 20:23: II. Recitiativ | Georg Philipp Telemann, Bettina Pahn, Jochaim Held, Juliane Laake, Carsten Lohff | E Major | 1 | 12B | 91 BPM | ||
XXII. Er ist das Heil und selig Licht | Heinrich Schütz, Capella De La Torre, Bavarian Radio Chorus, Katharina Bauml, Florian Helgath | G Major | 1 | 9B | 93 BPM | ||
Litaniae Omnium Sanctorum, ZWV 153: Kyrie eleison | Jan Dismas Zelenka, Inégal Ensemble, Adam Viktora, Gabriela Eibenová, Marian Krejcik, Terry Wey, Cyril Auvity | A♭ Major | 2 | 4B | 121 BPM |