Missa pro Quadragesima, MH 551: Credo: Et resurrexit
Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi
Haydn, M.: Masses
2:41 July 15, 2014
BPM
129
Key
A♭ Major
Camelot
4B

Embed

Share Link

Missa pro Quadragesima, MH 551: Credo: Et resurrexit - Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi Information

Acousticness
97%
Danceability
24%
Energy
7%
Instrumentalness
0%
Liveness
13%
Loudness
64%
Speechiness
5%
Valence
6%
Popularity
Loudness
-21.684 dB

Summary

"Missa pro Quadragesima, MH 551: Credo: Et resurrexit" by Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi was released on July 15, 2014. The duration of Missa pro Quadragesima, MH 551: Credo: Et resurrexit is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Missa pro Quadragesima, MH 551: Credo: Et resurrexit's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Michael Haydn, Purcell Choir, Gyorgy Vashegyi's "Haydn, M.: Masses" album is number 11 out of 28. On top of that, Hungary appears to be the country where this track was created. Based on our statistics, Missa pro Quadragesima, MH 551: Credo: Et resurrexit's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Missa pro Quadragesima, MH 551: Credo: Et resurrexit BPM

We consider the tempo marking of Missa pro Quadragesima, MH 551: Credo: Et resurrexit by Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi to be Allegro (fast, quick, and bright) because the track has a tempo of 129 BPM, a half-time of 64BPM, and a double-time of 258 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.

Missa pro Quadragesima, MH 551: Credo: Et resurrexit Key

This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Missa Divi Xaverii, ZWV 12: Qui tollis I by Jan Dismas Zelenka, Collegium Vocale 1704, Collegium 1704, Vaclav LuksMissa Divi Xaverii, ZWV 12: Qui tollis IJan Dismas Zelenka, Collegium Vocale 1704, Collegium 1704, Vaclav LuksF Major07B138 BPM
Missa Sanctae Crucis, MH 56: Credo by Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy VashegyiMissa Sanctae Crucis, MH 56: CredoMichael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy VashegyiB Major11B169 BPM
Missa Subtitulo S. Francisci Seraphici, Missa Subtitulo S. Francisci Seraphici, "St. Francis Mass": SanctusMichael Haydn, Ibolya Verebics, Judit Nemeth, Martin Kleitmann, József Moldvay, Hungarian Radio and Television Chorus, Franz Liszt Chamber Orchestra, Helmuth RillingD Major310B141 BPM
Vespro della Beata Vergine, SV 206: IV. Psalm Vespro della Beata Vergine, SV 206: IV. Psalm "Laudate pueri Dominum"Claudio Monteverdi, Philippe Herreweghe, Collegium Vocale GentF Major27B76 BPM
Kyrie: III. Kyrie by Cristobal de Morales, Musica Ficta, Raúl MallavibarrenaKyrie: III. KyrieCristobal de Morales, Musica Ficta, Raúl MallavibarrenaA♭ Major14B88 BPM
Missa Sanctae Ursulae, MH 546: Kyrie (Soprano, Contralto, Tenor, Bass, Chorus) by Michael Haydn, Juliane Banse, Mechthild Bach, Gabriele Binder, Karl-Heinz Lampe, Joachim Gebhard, Munich Motet Choir, Munich Residence Orchestra, Hans Rudolf ZöbeleyMissa Sanctae Ursulae, MH 546: Kyrie (Soprano, Contralto, Tenor, Bass, Chorus)Michael Haydn, Juliane Banse, Mechthild Bach, Gabriele Binder, Karl-Heinz Lampe, Joachim Gebhard, Munich Motet Choir, Munich Residence Orchestra, Hans Rudolf ZöbeleyC Major18B100 BPM
Te deum, LWV 55: V. Sanctum quoque Paraclitum Spiritum by Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de VersaillesTe deum, LWV 55: V. Sanctum quoque Paraclitum SpiritumJean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de VersaillesB♭ Major66B94 BPM
Amadis / Acte II: Vous ne devez plus attendre by Jean-Baptiste Lully, Hugo Reyne, La Simphonie Du Marais, Choeur Du Marais, Thomas Van Essen, Agathe Boudet, Hélène Richer, Daniel LalandreAmadis / Acte II: Vous ne devez plus attendreJean-Baptiste Lully, Hugo Reyne, La Simphonie Du Marais, Choeur Du Marais, Thomas Van Essen, Agathe Boudet, Hélène Richer, Daniel LalandreF♯ Minor011A117 BPM
Vespro della Beata Vergine, SV 206: XIIIf. Magnificat Vespro della Beata Vergine, SV 206: XIIIf. Magnificat "Fecit potentiam in brachio suo"Claudio Monteverdi, Philippe Herreweghe, Alexander Schneider, Bart Uvyn, Collegium Vocale GentE Major112B92 BPM
Le triomphe de Flore, ou Le retour de printemps: La volonté du ciel va se faire connaître by Antoine Dauvergne, Purcell Choir, Orfeo Orchestra, Thomas Dolie, Gyorgy VashegyiLe triomphe de Flore, ou Le retour de printemps: La volonté du ciel va se faire connaîtreAntoine Dauvergne, Purcell Choir, Orfeo Orchestra, Thomas Dolie, Gyorgy VashegyiE Minor29A71 BPM
ISRC
HUA253256711
Label
L-M Records/RCA Records

Section: 0.5353844165802002

End: 0.5397899150848389