"Kyrie: III. Kyrie" by Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena was released on January 1, 2001. With Kyrie: III. Kyrie being less than two minutes long, at 1:10, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena's "Morales: Requiem" album is number 6 out of 28. Kyrie: III. Kyrie is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Kyrie: III. Kyrie by Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Drei motetten, Op. 110: I. Ich aber bin elend | Johannes Brahms, Tenebrae, Nigel Short | G Major | 2 | 9B | 83 BPM | ||
Sanctus | Jacob Clemens non Papa, The Monteverdi Choir, John Eliot Gardiner | D Major | 1 | 10B | 130 BPM | ||
Lamentabatur Jacob: II. Prosternens se Jacob | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | F♯ Minor | 1 | 11A | 78 BPM | ||
Jesu, salvator saeculi, verbum: Jesu, salvator saeculi, verbum | John Sheppard, Stile Antico | D Minor | 1 | 7A | 169 BPM | ||
Te Deum à 8, MWV B 15: II. Te Aeternum Patrem | Felix Mendelssohn, Franziska Bobe, Sonntraud Engels-Benz, Frieder Bernius, Katharina Eberl, Maria Kalmbach, Sigrun Bornträger, Oliver Kringel, Daniel Schmid, Johannes Hill, Felix Rathgeber, Kammerchor Stuttgart | B♭ Minor | 0 | 3A | 68 BPM | ||
Vespro della beata Vergine (1610): Concerto - Duo Seraphim | Claudio Monteverdi, Andrew Parrott, The Taverner Consort, Choir & Players | G Minor | 2 | 6A | 82 BPM | ||
Psalmus quarti toni Beatus vir | Thomas Stoltzer, Amarcord | F♯ Minor | 0 | 11A | 74 BPM | ||
Cancionero musical de palacio: No. 429, Una montaña pasando | Garcimuñoz, Música Temprana, Adrian Rodriguez van der Spoel, Olalla Alemán | F Major | 1 | 7B | 111 BPM | ||
Missa Pro Defunctis - Offetorium | Jordi Savall, Cristobal de Morales | B♭ Major | 1 | 6B | 138 BPM | ||
Se mai provasti donna | Philippe Verdelot, Profeti Della Quinta | A♭ Minor | 1 | 1A | 128 BPM |
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