"Missa Pro Defunctis - Offetorium" by Jordi Savall, Cristobal de Morales was released on August 25, 2009. Since Missa Pro Defunctis - Offetorium is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Jordi Savall's "Morales: Officium Defunctorum - Missa Pro Defunctis" album is number 11 out of 15. On top of that, Switzerland appears to be the country where this track was created. Based on our statistics, Missa Pro Defunctis - Offetorium's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Missa Pro Defunctis - Offetorium by Jordi Savall, Cristobal de Morales to be Allegro (fast, quick, and bright) because the track has a tempo of 138 BPM, a half-time of 69BPM, and a double-time of 276 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto en Ré majeur per la Solennità di San Lorenzo, RV 562: Andante – Allegro | Antonio Vivaldi, Jordi Savall, Le Concert Des Nations | D♭ Major | 3 | 3B | 113 BPM | ||
Folias (A 3) Echa Para Mi Señora Doña Tarolilla De Carallenos | Andrea Falconieri, Jordi Savall, Hespèrion XXI | B Major | 2 | 1B | 84 BPM | ||
Alceste, LWV 50: 2ème Air, Les Démons (1674) | Jean-Baptiste Lully, Jordi Savall, Le Concert Des Nations | F Minor | 4 | 4A | 57 BPM | ||
Alléluia (Choral byzantin) | Ioannis Damaskinos, Ioannis Kladas, Jordi Savall | B Major | 1 | 1B | 87 BPM | ||
Te Deum: II. Te Deum Laudamus | Marc-Antoine Charpentier, La Capella Reial De Catalunya, Le Concert Des Nations, Jordi Savall | D♭ Major | 2 | 3B | 111 BPM | ||
Passamezzo Moderno (Recercada II) | Diego Ortiz, Jordi Savall | G Major | 4 | 9B | 134 BPM | ||
Ohimè Ch'Io Cado (Libro Nono) | Jordi Savall, Claudio Monteverdi, Montserrat Figueras | F Major | 2 | 7B | 76 BPM | ||
Concert XXVII: Bourrasque - Sarabande | Monsieur de Sainte-Colombe, Jordi Savall, Wieland Kuijken | D♭ Minor | 0 | 12A | 140 BPM | ||
Ortiz: Recercada No. 2 sobre canto llano | Diego Ortiz, Jordi Savall, Michel Piguet | D Minor | 0 | 7A | 48 BPM | ||
Willaert: Vecchie letrose non valete niente | Adrian Willaert, Jordi Savall | G Minor | 0 | 6A | 93 BPM |
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