- BPM
- 79
- Key
- E♭ Minor
- Camelot
- 2A
Vocalise-étude en forme de habanera, M. 51 (Version for Violin & Piano) - Maurice Ravel, Elmar Oliveira, Robert McDonald Information
- Acousticness
- 98%
- Danceability
- 11%
- Energy
- 1%
- Instrumentalness
- 79%
- Liveness
- 9%
- Loudness
- 46%
- Speechiness
- 4%
- Valence
- 3%
- Popularity
- 13%
- Loudness
- -32.299 dB
Summary
"Vocalise-étude en forme de habanera, M. 51 (Version for Violin & Piano)" by Maurice Ravel, Elmar Oliveira, Robert McDonald was released on April 6, 2018. The duration of Vocalise-étude en forme de habanera, M. 51 (Version for Violin & Piano) is about 3 minutes long, at 3:07. Based on our data, "Vocalise-étude en forme de habanera, M. 51 (Version for Violin & Piano)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 14 in the song's album "The Virtuoso Violin". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United States. Vocalise-étude en forme de habanera, M. 51 (Version for Violin & Piano) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Vocalise-étude en forme de habanera, M. 51 (Version for Violin & Piano) BPM
With Vocalise-étude en forme de habanera, M. 51 (Version for Violin & Piano) by Maurice Ravel, Elmar Oliveira, Robert McDonald having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
Vocalise-étude en forme de habanera, M. 51 (Version for Violin & Piano) Key
This song is in the music key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Three Romances, Op. 11: No. 1 in E-Flat Minor, Andante | Clara Schumann, Sara Costa | E♭ Minor | 1 | 2A | 134 BPM | |
 | Mazurka in C Minor | Mikhail Glinka, Inga Fiolia | C Minor | 0 | 5A | 106 BPM | |
 | 16 Waltzes, Op. 39 (1867 version): No. 15 in A-Flat Major | Johannes Brahms, Idil Biret | A♭ Minor | 3 | 1A | 111 BPM | |
 | Ravel: Le Tombeau de Couperin, M. 68: I. Prélude | Maurice Ravel, Bertrand Chamayou | E Minor | 1 | 9A | 89 BPM | |
 | Du bist die Ruh, Op. 59/3, D. 776 | Franz Schubert, Mischa Maisky, Daria Hovora | E♭ Major | 0 | 5B | 67 BPM | |
 | Thaïs: Méditation | Jules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | D Major | 0 | 10B | 84 BPM | |
 | Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.2 in C minor BWV847 | Daniel Barenboim | C Minor | 1 | 5A | 68 BPM | |
 | Cello Sonata No. 3 in A Major, Op. 69: III. Adagio cantabile | Ludwig van Beethoven, Mischa Maisky, Martha Argerich | E Major | 0 | 12B | 89 BPM | |
 | Lieder ohne Worte (Songs without Words), Book 2, Op. 30: No. 7 in E-Flat Major, Op. 30, No. 1 | Felix Mendelssohn, Péter Nagy | E♭ Major | 0 | 5B | 68 BPM | |
 | Japanese Suite, Op. 33: III. Dance of the Marionette | Gustav Holst, Ulster Orchestra, Joann Falletta | C Minor | 0 | 5A | 177 BPM |
- ISRC
- USZGD1610051
- Label
- L-M Records/RCA Records
Section: 0.7974197864532471
End: 0.8014938831329346