"La Diane de Fontainebleau: Chœur du sommeil" by Henri Desmarets, Les Chantres du Centre de Musique Baroque de Versailles, Ensemble les Surprises, Louis-Noël Bestion de Camboulas was released on August 27, 2021. The duration of La Diane de Fontainebleau: Chœur du sommeil is about 3 minutes long, at 3:10. Based on our data, "La Diane de Fontainebleau: Chœur du sommeil" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Véronique Gens, Ensemble les Surprises, Louis-Noël Bestion de Camboulas's "Lully, Charpentier & Desmarets: Passion" album is number 16 out of 21. On top of that, France appears to be the country where this track was created. La Diane de Fontainebleau: Chœur du sommeil is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of La Diane de Fontainebleau: Chœur du sommeil by Henri Desmarets, Les Chantres du Centre de Musique Baroque de Versailles, Ensemble les Surprises, Louis-Noël Bestion de Camboulas to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Egisto, Atto III Scena 10: Amanti, se credete | Francesco Cavalli, Cappella Mediterranea, Leonardo García-Alarcón, Thomas Dunford, François Joubert-Caillet, Mariana Flores | A Major | 1 | 11B | 109 BPM | ||
Little Consort in Two Parts for Severall Friends in C minor-major: IV. Courante | Matthew Locke, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Trio Sonata in A Minor, BuxWV 254: V. Largo | Dietrich Buxtehude, Ensemble Mélero | A Major | 3 | 11B | 103 BPM | ||
Guerrero: Hic vir | A5 Vocal Ensemble, Francisco Guerrero | A♭ Minor | 2 | 1A | 128 BPM | ||
Missa Paschalis, ZWV 7: Kyrie. Kyrie eleison I | Jan Dismas Zelenka, Inégal Ensemble, Adam Viktora, Gabriela Eibenová, Marian Krejcik, Terry Wey, Cyril Auvity | D♭ Minor | 1 | 12A | 87 BPM | ||
Confitebor tibi I | Claudio Monteverdi, Krijn Koetsveld, Le Nuove Músiche | G Major | 3 | 9B | 75 BPM | ||
Armide, LWV 71, Act I Scene 3: Armide est encore plus aimable (Hidraot, Phénice, Chœur) | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique, Tomislav Lavoie, Marie Perbost, Chœur de l'Opéra de Dijon | F Major | 1 | 7B | 139 BPM | ||
Missa Divi Xaverii, ZWV 12: Christe eleison | Jan Dismas Zelenka, Hana Blaziková, Collegium 1704, Vaclav Luks | F♯ Minor | 3 | 11A | 171 BPM | ||
Caro amante | Corrado Bonfiglio, Cappella Mediterranea, Leonardo García-Alarcón, Ana Vieira Leite, Valerio Contaldo | B♭ Minor | 0 | 3A | 110 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: VI. Benedictus, 1. Benedictus qui venit in nomine Domini | Niccolò Jommelli, Gudrun Sidonie Otto, Il Gardellino, Peter Van Heyghen | B Minor | 1 | 10A | 142 BPM |
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