"Missa Paschalis, ZWV 7: Kyrie. Kyrie eleison I" by Jan Dismas Zelenka, Inégal Ensemble, Adam Viktora, Gabriela Eibenová, Marian Krejcik, Terry Wey, Cyril Auvity was released on March 21, 2014. The duration of Missa Paschalis, ZWV 7: Kyrie. Kyrie eleison I is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Missa Paschalis, ZWV 7: Kyrie. Kyrie eleison I's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Gabriela Eibenová's "Jan Dismas Zelenka: Missa Paschalis, ZWV 7 & Litaniae Omnium Sanctorum, ZWV 153" album is number 1 out of 27. On top of that, Czechia appears to be the country where this track was created. Missa Paschalis, ZWV 7: Kyrie. Kyrie eleison I is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Missa Paschalis, ZWV 7: Kyrie. Kyrie eleison I by Jan Dismas Zelenka, Inégal Ensemble, Adam Viktora, Gabriela Eibenová, Marian Krejcik, Terry Wey, Cyril Auvity to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Aus der Tiefen rufe ich, Herr, zu dir, BWV 131: Sinfonia. Aus der Tiefe rufe ich | Johann Sebastian Bach, Peter Kooij, Midori Suzuki, Bach Collegium Japan, Masaaki Suzuki | A♭ Minor | 1 | 1A | 93 BPM | ||
Elijah, Op. 70: "Blessed Are the Men Who Fear Him" (Chorus) | Felix Mendelssohn, Gabrieli, William Whitehead, Paul McCreesh | G Major | 2 | 9B | 124 BPM | ||
Libera me in C Minor, HocJ E.2: VII. Dum veneris iudicare | Niccolò Jommelli, Il Gardellino, Gudrun Sidonie Otto, Helen Charlston, Daniel Johannsen, Sebastian Myrus, Peter Van Heyghen | B Minor | 0 | 10A | 163 BPM | ||
Requeim in C Minor, ZWV. 48 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Monika Frimmer, Peter Kooij, Paul Dombrecht | F♯ Minor | 1 | 11A | 82 BPM | ||
Missa Popularis: III. Credo | Mårten Jansson, Chantage, Classical Pop-Ups Strings, James Davey | F Major | 1 | 7B | 73 BPM | ||
Pièces de clavecin avec voix ou violon, Op. 5: I. Regna terrae, Cantate Deo (Ps. 67, v. 35 et 26) | Jean-Joseph Cassanéa De Mondonville, Shannon Mercer, Luc Beauséjour, Hélène Plouffe | A♭ Major | 1 | 4B | 96 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 3: Ballo: I. Grazioso | Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Grande Messe des Morts: XXI. Sanctus: Maestoso | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | F Major | 3 | 7B | 76 BPM | ||
Messe de requiem: II. Kyrie | André Campra, Philippe Herreweghe, La Chapelle Royale, Orchestre de La Chapelle Royale | E♭ Minor | 2 | 2A | 111 BPM | ||
Hymnodia divina, Op. 3: Gloria et honore | Jan Josef Ignac Brentner, Inégal Ensemble, Adam Viktora, Prague Baroque Solists | D♭ Major | 2 | 3B | 124 BPM |
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