"Préludes / Book 1, L.117 (Arr. For Violoncello And Piano By Mischa Maisky): Minstrels in G Major (From Preludes I, No. 12)- Moderato" by Claude Debussy, Mischa Maisky, Daria Hovora was released on July 30, 2022. The duration of Préludes / Book 1, L.117 (Arr. For Violoncello And Piano By Mischa Maisky): Minstrels in G Major (From Preludes I, No. 12)- Moderato is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Préludes / Book 1, L.117 (Arr. For Violoncello And Piano By Mischa Maisky): Minstrels in G Major (From Preludes I, No. 12)- Moderato's duration is considered a little bit shorter than the average duration of a typical track. The song is number 16 out of 161 in BBQ Night with Debussy by Claude Debussy, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The popularity of Préludes / Book 1, L.117 (Arr. For Violoncello And Piano By Mischa Maisky): Minstrels in G Major (From Preludes I, No. 12)- Moderato is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Préludes / Book 1, L.117 (Arr. For Violoncello And Piano By Mischa Maisky): Minstrels in G Major (From Preludes I, No. 12)- Moderato by Claude Debussy, Mischa Maisky, Daria Hovora is Prestissimo (even faster than presto), since this song has a tempo of 237 BPM. The time signature for this track is 5/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major | Antonín Dvořák, Stefan Veselka | G Major | 0 | 9B | 66 BPM | ||
Lohengrin: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | A Major | 0 | 11B | 75 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.1 in C major BWV846 | Daniel Barenboim | C Major | 0 | 8B | 95 BPM | ||
Beau soir, L. 6 (L. 84) (Arr. Heifetz for Violin and Piano) | Claude Debussy, Lisa Batiashvili, Yannick Nézet-Séguin | F Minor | 1 | 4A | 79 BPM | ||
Charakterstücke, Op. 3, JB 1:65: No. 3, Es siedet und brauset un sicht | Bedřich Smetana, Jitka Čechová | A♭ Minor | 2 | 1A | 76 BPM | ||
Pièces Lyriques, Op. 47 No. 3: Mélodie | Edvard Grieg, Shani Diluka | F Major | 0 | 7B | 105 BPM | ||
Scarborough Fair (Arr. Parkin for Cello and Guitar) | Traditional, Sheku Kanneh-Mason, Plínio Fernandes | D Major | 0 | 10B | 117 BPM | ||
Goldberg Variations, BWV 988: Aria | Johann Sebastian Bach, Glenn Gould | A♭ Major | 0 | 4B | 123 BPM | ||
16 Waltzes, Op. 39 (1867 version): No. 15 in A-Flat Major | Johannes Brahms, Idil Biret | A♭ Minor | 3 | 1A | 111 BPM | ||
The Carnival of the Animals, R. 125: XIII. The Swan (Arr. for Cello and Piano) | Camille Saint-Saëns, Yo-Yo Ma, Kathryn Stott | G Major | 0 | 9B | 66 BPM |
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