- BPM
- 66
- Key
- G Major
- Camelot
- 9B
The Carnival of the Animals, R. 125: XIII. The Swan (Arr. for Cello and Piano) - Camille Saint-Saëns, Yo-Yo Ma, Kathryn Stott Information
- Acousticness
- 98%
- Danceability
- 24%
- Energy
- 1%
- Instrumentalness
- 80%
- Liveness
- 8%
- Loudness
- 48%
- Speechiness
- 4%
- Valence
- 5%
- Popularity
- 38%
- Loudness
- -30.978 dB
Summary
"The Carnival of the Animals, R. 125: XIII. The Swan (Arr. for Cello and Piano)" by Camille Saint-Saëns, Yo-Yo Ma, Kathryn Stott was released on 2015. The duration of The Carnival of the Animals, R. 125: XIII. The Swan (Arr. for Cello and Piano) is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. The Carnival of the Animals, R. 125: XIII. The Swan (Arr. for Cello and Piano)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "Songs from the Arc of Life". In this album, this song's track order is #14. The Carnival of the Animals, R. 125: XIII. The Swan (Arr. for Cello and Piano) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The Carnival of the Animals, R. 125: XIII. The Swan (Arr. for Cello and Piano) BPM
With The Carnival of the Animals, R. 125: XIII. The Swan (Arr. for Cello and Piano) by Camille Saint-Saëns, Yo-Yo Ma, Kathryn Stott having a BPM of 66 with a half-time of 33 BPM and a double-time of 132 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
The Carnival of the Animals, R. 125: XIII. The Swan (Arr. for Cello and Piano) Key
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Songs Without Words, Book VI Opus 67: No. 2 in F-Sharp Minor | Felix Mendelssohn, Bertrand Chamayou | F♯ Minor | 1 | 11A | 69 BPM | |
 | Piano Concerto in A Minor, Op. 7: II. Romanze: Andante non troppo con grazia | Clara Schumann, Veronica Jochum, Bamberg Symphony, Joseph Silverstein | A♭ Major | 0 | 4B | 69 BPM | |
 | Symphony No. 5 In C Sharp Minor: IV. Adagietto. Sehr langsam | Gustav Mahler, Wiener Philharmoniker, Pierre Boulez | F Major | 0 | 7B | 87 BPM | |
 | La Campanella | Franz Liszt | A♭ Minor | 3 | 1A | 124 BPM | |
 | XIII. Le cygne (Arr. for Cello & 2 Pianos) | Camille Saint-Saëns, Steven Isserlis | A♭ Minor | 1 | 1A | 173 BPM | |
 | Nostalgia | Joe Hisaishi, Orchestra Città di Ferrara | D♭ Major | 2 | 3B | 88 BPM | |
 | Mrs Darcy - From "Pride & Prejudice" Soundtrack | English Chamber Orchestra, Benjamin Wallfisch | C Major | 1 | 8B | 138 BPM | |
 | Thaïs: Médiation | Jules Massenet, Arabella Steinbacher, Orchestre Philharmonique de Monte-Carlo, Lawrence Foster | D Major | 0 | 10B | 91 BPM | |
 | Once Upon a Dream | Invadable Harmony | F Major | 1 | 7B | 62 BPM | |
 | Samson et Dalila, Op. 47: Mon coeur s'ouvre à ta voix (Arr. for Cello and Piano) | Camille Saint-Saëns, Christian-Pierre La Marca, Lise de la Salle | E Minor | 4 | 9A | 142 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.8230459690093994
End: 0.8264696598052979