"Kantate No. 2, Op. 31: III. Schöpfen aus Brunnen des Himmels" by Anton Webern, Pierre Boulez, London Symphony Orchestra was released on 1977. The duration of Kantate No. 2, Op. 31: III. Schöpfen aus Brunnen des Himmels is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Kantate No. 2, Op. 31: III. Schöpfen aus Brunnen des Himmels's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 138 in the song's album "Pierre Boulez Edition: Webern, Varese & Berio". In this album, this song's track order is #104. Furthermore, we believe that the track originated from United States. In terms of popularity, Kantate No. 2, Op. 31: III. Schöpfen aus Brunnen des Himmels is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Kantate No. 2, Op. 31: III. Schöpfen aus Brunnen des Himmels by Anton Webern, Pierre Boulez, London Symphony Orchestra having a BPM of 97 with a half-time of 48 BPM and a double-time of 194 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony, Op. 21: II. Variationen | Anton Webern, Twentieth Century Classics Ensemble, Robert Craft | D♭ Major | 0 | 3B | 135 BPM | ||
D'un soir triste | Lili Boulanger, Luxembourg Philharmonic Orchestra, Mark Stringer | C Major | 1 | 8B | 84 BPM | ||
Tout un monde lointain…: V. Hymne | Henri Dutilleux, Jean-Guihen Queyras, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg | D♭ Major | 1 | 3B | 74 BPM | ||
String Quartet No. 1 'Kreutzer Sonata': String Quartet No. 1 'Kreutzer Sonata': III. Con moto. Vivo. Andante | Leoš Janáček, Jerusalem Quartet | F♯ Major | 2 | 2B | 129 BPM | ||
Fontane di Roma, P. 106: I. La fontana di Valle Giulia all'alba | Ottorino Respighi, New York Philharmonic, Giuseppe Sinopoli | F♯ Major | 2 | 2B | 73 BPM | ||
Umi e (Toward the Sea): III - Cape Cod | Toru Takemitsu, Robert Aitken, Toronto New Music Ensemble | A♭ Major | 0 | 4B | 73 BPM | ||
Piano Sonata No.1 in F minor, Op.6: 1. Allegro con fuoco | Alexander Scriabin, Vladimir Ashkenazy | A♭ Major | 1 | 4B | 135 BPM | ||
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): IV. Fileuse - Allegretto moderato | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | G Major | 0 | 9B | 90 BPM | ||
Concerto for 9 Instruments, Op. 24: II. Sehr rasch | Anton Webern, David Fedele, Stephen Taylor, Charles Neidich, Christopher Gekker, William Purvis, James Pugh, Sunghae Anna Lim, Richard O'Neill, Stephen Gosling | C Minor | 0 | 5A | 110 BPM | ||
6 Pieces for Large Orchestra, Op. 6: I. Etwas bewegte Achtel | Anton Webern, Pierre Boulez, London Symphony Orchestra | B Minor | 1 | 10A | 101 BPM |
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