"6 Pieces for Large Orchestra, Op. 6: I. Etwas bewegte Achtel" by Anton Webern, Pierre Boulez, London Symphony Orchestra was released on 1977. With 6 Pieces for Large Orchestra, Op. 6: I. Etwas bewegte Achtel being less than two minutes long, at 1:11, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 138 in the song's album "Pierre Boulez Edition: Webern, Varese & Berio". In this album, this song's track order is #18. Furthermore, we believe that the track originated from United States. In terms of popularity, 6 Pieces for Large Orchestra, Op. 6: I. Etwas bewegte Achtel is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 6 Pieces for Large Orchestra, Op. 6: I. Etwas bewegte Achtel by Anton Webern, Pierre Boulez, London Symphony Orchestra having a BPM of 101 with a half-time of 50 BPM and a double-time of 202 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
A Little Midnight Music: VII. Blues in the Night | George Crumb, Emanuele Arciuli | F♯ Major | 0 | 2B | 68 BPM | ||
...quasi una fantasia..., Op. 27/1: Introduzione | György Kurtág, Tamara Stefanovich, Asko Schönberg, Reinbert de Leeuw | D♭ Major | 0 | 3B | 0 BPM | ||
Officium breve in memoriam Andreae Szervánszky, Op. 28: XV. Arioso interrotto (di Endre Szervánsky). Larghetto | György Kurtág, Navarra String Quartet | C Major | 0 | 8B | 62 BPM | ||
Ame no ki sobyo II (Rain Tree Sketch II), "In memoriam Olivier Messiaen" | Toru Takemitsu, Kotaro Fukuma | F♯ Minor | 0 | 11A | 85 BPM | ||
Deutsche Tänze, D. 820: V. [without tempo indication] (IV. Da capo) | Franz Schubert, Anton Webern | B♭ Major | 0 | 6B | 80 BPM | ||
7 Papillons: No. 5. — | Kaija Saariaho, Anssi Karttunen | D Major | 2 | 10B | 61 BPM | ||
Symphony No.9 In D / 1. Satz: Andante comodo | Gustav Mahler, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 172 BPM | ||
String Trio, Op. 20: II. Sehr getragen und ausdrucksvoll | Anton Webern, Ani Kavafian, Richard O'Neill, Fred Sherry | F♯ Major | 0 | 2B | 72 BPM | ||
Quartet, Op. 22: II. Sehr schwungvoll | Anton Webern, Jennifer Frautschi, Christopher Oldfather, Daniel Goble, Michael Lowenstern | A♭ Minor | 0 | 1A | 80 BPM | ||
Rapsodie Negre: I. Prélude | Francis Poulenc, Badke Quartet, Lisa Friend, Julian Bliss, Malcolm Martineau | C Minor | 0 | 5A | 67 BPM |
Section: 0.6623637676239014
End: 0.6668267250061035