6 Pieces for Large Orchestra, Op. 6: I. Etwas bewegte Achtel
Anton Webern, Pierre Boulez, London Symphony Orchestra
Pierre Boulez Edition: Webern, Varese & Berio
1:11 1977
BPM
101
Key
B Minor
Camelot
10A

Embed

Share Link

6 Pieces for Large Orchestra, Op. 6: I. Etwas bewegte Achtel - Anton Webern, Pierre Boulez, London Symphony Orchestra Information

Acousticness
94%
Danceability
20%
Energy
6%
Instrumentalness
60%
Liveness
29%
Loudness
64%
Speechiness
4%
Valence
4%
Popularity
Loudness
-21.434 dB

Summary

"6 Pieces for Large Orchestra, Op. 6: I. Etwas bewegte Achtel" by Anton Webern, Pierre Boulez, London Symphony Orchestra was released on 1977. With 6 Pieces for Large Orchestra, Op. 6: I. Etwas bewegte Achtel being less than two minutes long, at 1:11, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 138 in the song's album "Pierre Boulez Edition: Webern, Varese & Berio". In this album, this song's track order is #18. Furthermore, we believe that the track originated from United States. In terms of popularity, 6 Pieces for Large Orchestra, Op. 6: I. Etwas bewegte Achtel is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

6 Pieces for Large Orchestra, Op. 6: I. Etwas bewegte Achtel BPM

With 6 Pieces for Large Orchestra, Op. 6: I. Etwas bewegte Achtel by Anton Webern, Pierre Boulez, London Symphony Orchestra having a BPM of 101 with a half-time of 50 BPM and a double-time of 202 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.

6 Pieces for Large Orchestra, Op. 6: I. Etwas bewegte Achtel Key

B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
A Little Midnight Music: VII. Blues in the Night by George Crumb, Emanuele ArciuliA Little Midnight Music: VII. Blues in the NightGeorge Crumb, Emanuele ArciuliF♯ Major02B68 BPM
...quasi una fantasia..., Op. 27/1: Introduzione by György Kurtág, Tamara Stefanovich, Asko Schönberg, Reinbert de Leeuw...quasi una fantasia..., Op. 27/1: IntroduzioneGyörgy Kurtág, Tamara Stefanovich, Asko Schönberg, Reinbert de LeeuwD♭ Major03B0 BPM
Officium breve in memoriam Andreae Szervánszky, Op. 28: XV. Arioso interrotto (di Endre Szervánsky). Larghetto by György Kurtág, Navarra String QuartetOfficium breve in memoriam Andreae Szervánszky, Op. 28: XV. Arioso interrotto (di Endre Szervánsky). LarghettoGyörgy Kurtág, Navarra String QuartetC Major08B62 BPM
Ame no ki sobyo II (Rain Tree Sketch II), Ame no ki sobyo II (Rain Tree Sketch II), "In memoriam Olivier Messiaen"Toru Takemitsu, Kotaro FukumaF♯ Minor011A85 BPM
Deutsche Tänze, D. 820: V. [without tempo indication] (IV. Da capo) by Franz Schubert, Anton WebernDeutsche Tänze, D. 820: V. [without tempo indication] (IV. Da capo)Franz Schubert, Anton WebernB♭ Major06B80 BPM
7 Papillons: No. 5. — by Kaija Saariaho, Anssi Karttunen7 Papillons: No. 5. —Kaija Saariaho, Anssi KarttunenD Major210B61 BPM
Symphony No.9 In D / 1. Satz: Andante comodo by Gustav Mahler, Berliner Philharmoniker, Herbert von KarajanSymphony No.9 In D / 1. Satz: Andante comodoGustav Mahler, Berliner Philharmoniker, Herbert von KarajanD Major110B172 BPM
String Trio, Op. 20: II. Sehr getragen und ausdrucksvoll by Anton Webern, Ani Kavafian, Richard O'Neill, Fred SherryString Trio, Op. 20: II. Sehr getragen und ausdrucksvollAnton Webern, Ani Kavafian, Richard O'Neill, Fred SherryF♯ Major02B72 BPM
Quartet, Op. 22: II. Sehr schwungvoll by Anton Webern, Jennifer Frautschi, Christopher Oldfather, Daniel Goble, Michael LowensternQuartet, Op. 22: II. Sehr schwungvollAnton Webern, Jennifer Frautschi, Christopher Oldfather, Daniel Goble, Michael LowensternA♭ Minor01A80 BPM
Rapsodie Negre: I. Prélude by Francis Poulenc, Badke Quartet, Lisa Friend, Julian Bliss, Malcolm MartineauRapsodie Negre: I. PréludeFrancis Poulenc, Badke Quartet, Lisa Friend, Julian Bliss, Malcolm MartineauC Minor05A67 BPM
ISRC
USSM10212013
Label
L-M Records/RCA Records

Section: 0.6623637676239014

End: 0.6668267250061035