"7 Papillons: No. 5. —" by Kaija Saariaho, Anssi Karttunen was released on November 1, 2013. With 7 Papillons: No. 5. — being less than two minutes long, at 1:31, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 10 in the song's album "Saariaho: Du cristal - …à la fumée - 7 Papillons - Nymphéa". In this album, this song's track order is #8. 7 Papillons: No. 5. — is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 7 Papillons: No. 5. — by Kaija Saariaho, Anssi Karttunen having a BPM of 61 with a half-time of 30 BPM and a double-time of 122 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pithoprakta | Iannis Xenakis, Luxembourg Philharmonic Orchestra, Arturo Tamayo | C Major | 4 | 8B | 100 BPM | ||
Reich/Richter: Opening | Steve Reich, Ensemble Intercontemporain, George Jackson | F♯ Major | 1 | 2B | 94 BPM | ||
The Sound of Trees: Paisible, boisé | Camille Pépin, Orchestre De Picardie, Arie Van Beek, Julien Hervé, Yan Levionnois | F Minor | 1 | 4A | 78 BPM | ||
The Dorian Horizon for 17 Strings | Toru Takemitsu, Seiji Ozawa, Toronto Symphony Orchestra | B♭ Minor | 1 | 3A | 77 BPM | ||
5e livre de viole: Prélude en harpègement: rondement | Marin Marais, Sophie Watillon, Friederike Heumann, Xavier Diaz-Latorre, Evangelina Mascardi, Luca Guglielmi | A♭ Minor | 0 | 1A | 98 BPM | ||
Aion: I. — | Giacinto Scelsi, Orchestra Sinfonica Nazionale della RAI di Torino, Francesco Dillon, Ensemble di Percussioni Naqqara, Tito Ceccherini | A♭ Major | 1 | 4B | 139 BPM | ||
DANCE: V. when you’re perfectly free | Anna Clyne, Inbal Segev, London Philharmonic Orchestra, Marin Alsop | G Major | 3 | 9B | 113 BPM | ||
Punctum | Caroline Shaw, Attacca Quartet | D Major | 0 | 10B | 130 BPM | ||
Saegirarenai kyusoku (Uninterrupted Rest): I. Slowly, sadly and as if to converse with | Toru Takemitsu, Kotaro Fukuma | B♭ Major | 0 | 6B | 112 BPM | ||
Three Movements for Orchestra: 2. Mvt.2 | Steve Reich, Los Angeles Philharmonic, Stefan Asbury | F Minor | 1 | 4A | 183 BPM |
Section: 0.9768636226654053
End: 0.9805622100830078