- BPM
- 96
- Key
- B Major
- Camelot
- 1B
Suite in C Major*: IV. Sarabande - Louis Couperin, Laurence Cummings Information
- Acousticness
- 86%
- Danceability
- 36%
- Energy
- 12%
- Instrumentalness
- 98%
- Liveness
- 6%
- Loudness
- 62%
- Speechiness
- 4%
- Valence
- 37%
- Popularity
- 0%
- Loudness
- -22.837 dB
Summary
Louis Couperin, Laurence Cummings's 'Suite in C Major*: IV. Sarabande' came out on May 27, 1994. With Suite in C Major*: IV. Sarabande being less than two minutes long, at 1:27, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 17 out of 26 in Couperin, L.: Harpsichord Suites / Tombeau De M. De Blancocher by Louis Couperin. In terms of popularity, Suite in C Major*: IV. Sarabande is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Suite in C Major*: IV. Sarabande BPM
The tempo marking of Suite in C Major*: IV. Sarabande by Louis Couperin, Laurence Cummings is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Suite in C Major*: IV. Sarabande Key
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | D'Anglebert: Suite No. 3 en ré mineur: VI. Sarabande Grave. Lentement | Jean-Henri d'Anglebert, Jean Rondeau | A♭ Minor | 1 | 1A | 76 BPM | |
 | Cello Sonata in G Minor, Op. 1 No. 4: I. Adagio | Benedetto Marcello, Roel Dieltiens, Richte Van Der Meer, Robert Kohnen | F♯ Minor | 0 | 11A | 70 BPM | |
 | Violin Sonata in E Minor, Op. 5 No. 3: I. Largo | Jean-Marie Leclair, Adrian Butterfield, Sarah McMahon, Silas Wollston | A Major | 4 | 11B | 125 BPM | |
 | Ouverture No. 6 in G Minor: VII. Air Gigue | Philipp Heinrich Erlebach, Concerto Stella Matutina, Alfredo Bernardini | A♭ Minor | 4 | 1A | 109 BPM | |
 | Concerto Armonico I: I. Grave | Unico Wilhelm van Wassenaer, Mike Fentross, La Sfera Armoniosa | D♭ Major | 1 | 3B | 95 BPM | |
 | Concerti grossi a quatro e sei strumenti, Op. 7, Libro secondo, Concerto No. 11 in A Minor: II. Allegro | Giuseppe Valentini, Ensemble 415, Chiara Banchini, Olivia Centurioni, Odile Edouard, David Plantier, David Courvoisier, Alain Gervreau | A♭ Minor | 2 | 1A | 131 BPM | |
 | Sonata No. 2 in A Major, C. 91 "The Visitation": Sonata - Allemanda - Presto | Heinrich Ignaz Franz von Biber, Rachel Podger, David Miller, Marcin Świątkiewicz, Jonathan Manson | A♭ Major | 1 | 4B | 67 BPM | |
 | Flute Concerto in A Minor, QV 5:238: II. Arioso ma non troppo | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | B♭ Major | 0 | 6B | 92 BPM | |
 | Ayres for the Violin, Book I (Arr. for Violoncello Piccolo): Preludio | Nicola Matteis, Ophélie Gaillard, Pulcinella Orchestra | A♭ Minor | 0 | 1A | 119 BPM | |
 | Violin Concerto in C Major, Op. 7 No. 3: I. Allegro | Jean-Marie Leclair, Fabio Biondi, Europa Galante | B Major | 2 | 1B | 83 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.9316530227661133
End: 0.9369568824768066