Dolci Accenti, Daniele Cernuto, Calogero Sportato, Lorenzo Feder, Mauro Zavagno's 'Sonata Per Viola da Gamba No. 3 in G Major: I. Andante' came out on August 1, 2015. With Sonata Per Viola da Gamba No. 3 in G Major: I. Andante being less than two minutes long, at 1:21, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 7 out of 14 in Bitte Ruhe! Sonate Per Viola da Gamba E Basso Continuo by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Sonata Per Viola da Gamba No. 3 in G Major: I. Andante is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sonata Per Viola da Gamba No. 3 in G Major: I. Andante by Dolci Accenti, Daniele Cernuto, Calogero Sportato, Lorenzo Feder, Mauro Zavagno is Moderato (at a moderate speed), since this song has a tempo of 111 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Le Bourgeois gentilhomme, LWV 43: Canaries | Jean-Baptiste Lully, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | C Minor | 2 | 5A | 84 BPM | ||
Acis et Galatée, LWV 73: Passacaille | Jean-Baptiste Lully, Les Musiciens De Saint-Julien, François Lazarevitch | B♭ Major | 2 | 6B | 113 BPM | ||
Sonata in F minor, Wq 63/6: I. Finale | Carl Philipp Emanuel Bach, Marcin Świątkiewicz | D♭ Major | 3 | 3B | 100 BPM | ||
Sonata Per Viola da Gamba No. 2 in a Minor: II. Allegro | Dolci Accenti, Daniele Cernuto, Calogero Sportato, Lorenzo Feder, Mauro Zavagno | D Major | 4 | 10B | 89 BPM | ||
Télémaque & Calypso, Prologue: Ouverture (I) | Andre Cardinal Destouches, Les Ombres, Sylvain Sartre, Margaux Blanchard | D Minor | 2 | 7A | 104 BPM | ||
Ciaconna | Giulio de Ruvo, Hanna Salzenstein, Justin Taylor, Thibaut Roussel, Albéric Boullenois, Marie-Ange Petit | D♭ Minor | 6 | 12A | 157 BPM | ||
Violin Sonata No. 2 in Dorian Mode, C. 139: III. Variatio | Heinrich Ignaz Franz von Biber, Ars Antiqua Austria, Gunar Letzbor | A♭ Major | 1 | 4B | 66 BPM | ||
Sonata a 6 in D Minor, G. 24 | David Pohle, Clematis, Brice Sailly, Stéphanie de Failly | C Major | 2 | 8B | 120 BPM | ||
Trattado de glosas: Recercadas primera y quarta sobre tenores: II. | Diego Ortiz, Les Basses Réunies, Bruno Cocset | B Major | 1 | 1B | 97 BPM | ||
Sonates à violon ou flûte seule avec basse continue, Op. 14, Sonata 4: I. Allegro | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 2 | 4B | 99 BPM |
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