Heinrich Ignaz Franz von Biber, Ars Antiqua Austria, Gunar Letzbor's 'Violin Sonata No. 2 in Dorian Mode, C. 139: III. Variatio' came out on January 19, 2024. The duration of Violin Sonata No. 2 in Dorian Mode, C. 139: III. Variatio is about 3 minutes long, at 3:03. Based on our data, "Violin Sonata No. 2 in Dorian Mode, C. 139: III. Variatio" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 12 out of 56 in Biber: Violin Sonatas Nos. 1-8, C. 138-145 by Heinrich Ignaz Franz von Biber, Gunar Letzbor, Ars Antiqua Austria. Going off of the ISRC code of this track, we detected that the origin of this track is from Switzerland. Violin Sonata No. 2 in Dorian Mode, C. 139: III. Variatio is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Violin Sonata No. 2 in Dorian Mode, C. 139: III. Variatio by Heinrich Ignaz Franz von Biber, Ars Antiqua Austria, Gunar Letzbor is Larghetto (rather broadly), since this song has a tempo of 66 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Pour Basson, Deux Violons, Alto Et Basse Continue En Si Bémol Majeur, GWV 340 340 (Moderato): I. Moderato | Christoph Graupner, Mathieu Lussier, Natalie Michaud, Geneviève Soly, Les idées heureuses | A Major | 0 | 11B | 93 BPM | ||
Concerto VIII in C Minor: IV. Adagio | António Pereira da Costa, Ensemble Bonne Corde, Diana Vinagre | F Major | 2 | 7B | 109 BPM | ||
Sonata Sesta in F Major: II. Allemande | Philipp Heinrich Erlebach, L'Achéron, François Joubert-Caillet | F♯ Major | 2 | 2B | 116 BPM | ||
Mystery (Rosary) Sonata No. 10, "The Crucifixion": II. Aria - Variations | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | A Major | 1 | 11B | 85 BPM | ||
Golovinmusiken, BeRI 1: No. 8, Presto | Johan Helmich Roman, Höör Barock, Dan Laurin | A♭ Major | 2 | 4B | 143 BPM | ||
Violin Sonata No. 1 in D Minor: VII. Presto | Élisabeth Jacquet de La Guerre, David Plantier, Daniela Dolci | A♭ Minor | 3 | 1A | 95 BPM | ||
Violin Sonata in G Minor, Op. 5 No. 5: II. Vivace (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Sonatae unarum fidium - Sonata IV in D Major (Introduction - Sarabande - Guige - Allegro - Presto) | Johann Heinrich Schmelzer, Ensemble Castelkorn, Josef Žák | A♭ Major | 2 | 4B | 122 BPM | ||
Madrigals Libro, No.6: Moro, Lasso, Al Mio Duolo | Carlo Gesualdo, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM | ||
Céphale et Procris, Prologue: Ouverture | Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis | F Minor | 1 | 4A | 75 BPM |
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