Jean-Baptiste Lully, Ensemble les Surprises, Louis-Noël Bestion de Camboulas made "Le Bourgeois gentilhomme, LWV 43: Canaries" available on August 27, 2021. With Le Bourgeois gentilhomme, LWV 43: Canaries being less than two minutes long, at 1:03, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Véronique Gens, Ensemble les Surprises, Louis-Noël Bestion de Camboulas's "Lully, Charpentier & Desmarets: Passion" album is number 12 out of 21. On top of that, France appears to be the country where this track was created. Le Bourgeois gentilhomme, LWV 43: Canaries is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Le Bourgeois gentilhomme, LWV 43: Canaries by Jean-Baptiste Lully, Ensemble les Surprises, Louis-Noël Bestion de Camboulas to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Céphale et Procris, Prologue: Marche pour Nérée et les Dieux Marins | Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis | F Minor | 1 | 4A | 75 BPM | ||
Preludio I | Nicola Matteis, Gli Incogniti, Amandine Beyer | A Major | 4 | 11B | 76 BPM | ||
Les goûts-réunis, ou Nouveaux Concerts, Concert No. 9 in E Major "Il ritratto dell'amore": No. 7, La douceur | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM | ||
Royal Consort in D Minor for 2 theorbos: V. Corant II | William Lawes, Jacob Heringman, David Miller, The Rose Consort Of Viols | D♭ Major | 2 | 3B | 55 BPM | ||
Issé: Issé, Acte II Scène première: Air "Amour, laisse mon coeur en paix" | Andre Cardinal Destouches, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, Judith van Wanroij | D Major | 2 | 10B | 132 BPM | ||
In convertendo Dominus | Sébastien de Brossard, Ensemble Baroque De Limoges, Christophe Coin | A Major | 2 | 11B | 151 BPM | ||
Chamber Sonata No. 4 in G Minor: III. Adagio | Élisabeth Jacquet de La Guerre, Musica Fiorita | D Minor | 3 | 7A | 99 BPM | ||
Te Deum "de Lyon": XVIII. Fiat misericordia tua | Henri Desmarets, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, Clément Debieuvre | B♭ Major | 4 | 6B | 106 BPM | ||
The Gordion Knot Unty'd, Z. 597: Fourth Act Tune: Jig | Henry Purcell, Aradia Ensemble, Kevin Mallon | D♭ Minor | 1 | 12A | 100 BPM | ||
Médée, H. 491, Act II: Passacaille | Marc-Antoine Charpentier, Le Concert Spirituel, Herve Niquet | C Minor | 1 | 5A | 86 BPM |
Section: 0.6004002094268799
End: 0.6040163040161133