William Lawes, Jacob Heringman, David Miller, The Rose Consort Of Viols made "Royal Consort in D Minor for 2 theorbos: V. Corant II" available on December 13, 1995. With Royal Consort in D Minor for 2 theorbos: V. Corant II being less than two minutes long, at 1:01, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in William Lawes's "Lawes: Consort Music for Viols, Lutes and Theorbos" album is number 11 out of 26. On top of that, Hong Kong appears to be the country where this track was created. Royal Consort in D Minor for 2 theorbos: V. Corant II is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Royal Consort in D Minor for 2 theorbos: V. Corant II by William Lawes, Jacob Heringman, David Miller, The Rose Consort Of Viols to be Lento (slowly) because the track has a tempo of 55 BPM, a half-time of 28BPM, and a double-time of 110 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Preludio in ostination: Passagio rotto | Nicola Matteis, Gli Incogniti, Amandine Beyer | F♯ Minor | 2 | 11A | 131 BPM | ||
[Suite en la majeur]: VIII. 2e Menuet (No. 24) & Double (No. 25) | Marin Marais, François Joubert-Caillet, L'Achéron | A♭ Major | 1 | 4B | 85 BPM | ||
Recercadas del Trattado de Glosas: Recercada sesta sobre el canto Ilano "La Spagna" | Diego Ortiz, Bruno Cocset, Guido Balestracci, Les Basses Réunies | F Major | 1 | 7B | 86 BPM | ||
Sellingers Round | Jacob Heringman | C Major | 1 | 8B | 174 BPM | ||
Suite in E Minor, BWV 996: II. Allemande | Johann Sebastian Bach, Evangelina Mascardi | B Minor | 2 | 10A | 175 BPM | ||
Première suite à 3 violes in D Major: No. 4, Sarabande | Marin Marais, François Joubert-Caillet, L'Achéron | F♯ Minor | 4 | 11A | 88 BPM | ||
Sonata Sexta in F Minor for Violin: II. Allegro | Daniel Purcell, La Rêveuse, Florence Bolton, Benjamin Perrot, Stephan Dudermel | B♭ Minor | 0 | 3A | 135 BPM | ||
Canzon quinta a tre | Bartolomé de Selma y Salaverde, La Ritirata, Josetxu Obregon | C Major | 3 | 8B | 74 BPM | ||
Missa Surge Propera: 5. Agnus Dei | Tomás Luis de Victoria, John Potter, Anna Maria Friman, Ariel Abramovich, Jacob Heringman | A Minor | 0 | 8A | 96 BPM | ||
Sunday Driver | Bright Eyes, Aimee Mann, BC Camplight, David Bazan, David Miller, DJ Spooky feat. Saba Saba, Free Form Funky Freqs, Los 6 Paraguayos, Matthew Shipp, Guster, Portastatic, The Classic Brown, The Wrens, Wilco | C Major | 5 | 8B | 113 BPM |
Section: 0.7517445087432861
End: 0.755760669708252