Diego Ortiz, Bruno Cocset, Guido Balestracci, Les Basses Réunies's 'Recercadas del Trattado de Glosas: Recercada sesta sobre el canto Ilano "La Spagna"' came out on March 20, 2020. The duration of Recercadas del Trattado de Glosas: Recercada sesta sobre el canto Ilano "La Spagna" is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Recercadas del Trattado de Glosas: Recercada sesta sobre el canto Ilano "La Spagna"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 32 in the song's album "Ortiz: Trattado de Glosas". In this album, this song's track order is #7. Recercadas del Trattado de Glosas: Recercada sesta sobre el canto Ilano "La Spagna" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Recercadas del Trattado de Glosas: Recercada sesta sobre el canto Ilano "La Spagna" by Diego Ortiz, Bruno Cocset, Guido Balestracci, Les Basses Réunies having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Lady of Sussex Delight | Tobias Hume, Guido Balestracci, Les Basses Réunies, Bruno Cocset | E Major | 1 | 12B | 92 BPM | ||
The Lord of Salisbury his Pavin | Orlando Gibbons, Harmonia Recorder Ensemble | D Minor | 0 | 7A | 66 BPM | ||
Sonata in A Major: II. Allegro | Domenico Gabrielli, Les Basses Réunies, Bruno Cocset | A♭ Major | 2 | 4B | 118 BPM | ||
In Nomine No. 2 | William Byrd, The Rose Consort Of Viols | F♯ Minor | 1 | 11A | 108 BPM | ||
Sonata in G Major, Op. 3: III. Menuet | Giuseppe Maria Jacchini, Les Basses Réunies, Bruno Cocset | F♯ Major | 1 | 2B | 82 BPM | ||
Adieu delices de mon ceur | Jacob Clemens non Papa, Harmonia Recorder Ensemble | D Minor | 0 | 7A | 79 BPM | ||
Bransle de Poictou | Pierre Attaingnant, Hopkinson Smith | E Major | 1 | 12B | 136 BPM | ||
A Solfing Song | Thomas Tallis, The Rose Consort Of Viols | E Major | 0 | 12B | 96 BPM | ||
La Guitarre Royalle: Fanfare | Francesco Corbetta, Eric Bellocq, Massimo Moscardo | D♭ Major | 0 | 3B | 86 BPM | ||
Spagnoletta | Michael Praetorius, Atrium Musicae de Madrid, Gregorio Paniagua | B♭ Major | 1 | 6B | 70 BPM |
Section: 0.4757089614868164
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