König David: Gesang: Horch, mein Herz erklingt im Gesange (3. Teil)
Arthur Honegger, Devid Striesow, Junges Ensemble Berlin, Prometheus Ensemble Berlin, Frank Markowitsch
Arthur Honegger: König David
1:55 May 26, 2014
BPM
116
Key
A♭ Major
Camelot
4B

Embed

Share Link

König David: Gesang: Horch, mein Herz erklingt im Gesange (3. Teil) - Arthur Honegger, Devid Striesow, Junges Ensemble Berlin, Prometheus Ensemble Berlin, Frank Markowitsch Information

Acousticness
96%
Danceability
53%
Energy
26%
Instrumentalness
0%
Liveness
15%
Loudness
68%
Speechiness
7%
Valence
44%
Popularity
Loudness
-19.293 dB

Summary

Arthur Honegger, Devid Striesow, Junges Ensemble Berlin, Prometheus Ensemble Berlin, Frank Markowitsch made "König David: Gesang: Horch, mein Herz erklingt im Gesange (3. Teil)" available on May 26, 2014. With König David: Gesang: Horch, mein Herz erklingt im Gesange (3. Teil) being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 17 out of 27 in Arthur Honegger: König David by Arthur Honegger, Junges Ensemble Berlin, Prometheus Ensemble Berlin, Frank Markowitsch, Devid Striesow, Rowan Hellier, Jan Remmers, Narine Yeghiyan, Irm Hermann. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, König David: Gesang: Horch, mein Herz erklingt im Gesange (3. Teil) is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

König David: Gesang: Horch, mein Herz erklingt im Gesange (3. Teil) BPM

The tempo marking of König David: Gesang: Horch, mein Herz erklingt im Gesange (3. Teil) by Arthur Honegger, Devid Striesow, Junges Ensemble Berlin, Prometheus Ensemble Berlin, Frank Markowitsch is Moderato (at a moderate speed), since this song has a tempo of 116 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.

König David: Gesang: Horch, mein Herz erklingt im Gesange (3. Teil) Key

A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Raymonda, Act III: Variation for female dancer by Alexander Glazunov, English National Ballet Philharmonic, Gavin SutherlandRaymonda, Act III: Variation for female dancerAlexander Glazunov, English National Ballet Philharmonic, Gavin SutherlandB Major01B76 BPM
Etudes: IV. Adagio by Knudåge Riisager, Gennady Rozhdestvensky, Danish National Symphony OrchestraEtudes: IV. AdagioKnudåge Riisager, Gennady Rozhdestvensky, Danish National Symphony OrchestraF Minor04A145 BPM
Klami : Sea Pictures : IV Song of The Watch [Nocturne] [Merikuvia : IV Vahtimiehen laulu] [Nokturno] by Uuno Klami, Finnish Radio Symphony Orchestra, Leif SegerstamKlami : Sea Pictures : IV Song of The Watch [Nocturne] [Merikuvia : IV Vahtimiehen laulu] [Nokturno]Uuno Klami, Finnish Radio Symphony Orchestra, Leif SegerstamD Minor07A83 BPM
Carmina by True LUFS ProjectCarminaTrue LUFS ProjectC Major28B90 BPM
Concerto-Fantasy: II. Interlude by Paul Chihara, Quynh Nguyen, London Symphony Orchestra, Stephen BarlowConcerto-Fantasy: II. InterludePaul Chihara, Quynh Nguyen, London Symphony Orchestra, Stephen BarlowG Major29B77 BPM
Le Roi David, H 37, Part 2: No. 16 La danse devant l'arche by Arthur Honegger, Lambert Wilson, Brigitte Fournier, Michel Corboz, Gulbekian OrchestraLe Roi David, H 37, Part 2: No. 16 La danse devant l'archeArthur Honegger, Lambert Wilson, Brigitte Fournier, Michel Corboz, Gulbekian OrchestraE Minor19A86 BPM
Trombone Concertino in E-flat Major, Op. 4: I. Allegro maestoso I by Ferdinand David, Christian Lindberg, Swedish Chamber OrchestraTrombone Concertino in E-flat Major, Op. 4: I. Allegro maestoso IFerdinand David, Christian Lindberg, Swedish Chamber OrchestraE♭ Major25B127 BPM
Ravel: Ma mère l'oye, M. 60: III. Laideronnette, impératrice des pagodes by Maurice Ravel, Yannick Nézet-Séguin, Rotterdam Philharmonic OrchestraRavel: Ma mère l'oye, M. 60: III. Laideronnette, impératrice des pagodesMaurice Ravel, Yannick Nézet-Séguin, Rotterdam Philharmonic OrchestraA♭ Minor01A122 BPM
3 Corali, P. 167: No. 2, Andante con moto e scherzando (After J.S. Bach's BWV 648) by Ottorino Respighi, Orchestre Philharmonique Royal de Liège, John Neschling3 Corali, P. 167: No. 2, Andante con moto e scherzando (After J.S. Bach's BWV 648)Ottorino Respighi, Orchestre Philharmonique Royal de Liège, John NeschlingG Major09B74 BPM
Concerto for Orchestra, Sz. 116: I. Introduzione (Andante non troppo - Allegro vivace) by Béla Bartók, Chicago Symphony Orchestra, Pierre BoulezConcerto for Orchestra, Sz. 116: I. Introduzione (Andante non troppo - Allegro vivace)Béla Bartók, Chicago Symphony Orchestra, Pierre BoulezD Major110B73 BPM
ISRC
DEN421401017
Label
L-M Records/RCA Records

Section: 0.7302255630493164

End: 0.7348828315734863