Arthur Honegger, Devid Striesow, Junges Ensemble Berlin, Prometheus Ensemble Berlin, Frank Markowitsch made "König David: Gesang: Horch, mein Herz erklingt im Gesange (3. Teil)" available on May 26, 2014. With König David: Gesang: Horch, mein Herz erklingt im Gesange (3. Teil) being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 17 out of 27 in Arthur Honegger: König David by Arthur Honegger, Junges Ensemble Berlin, Prometheus Ensemble Berlin, Frank Markowitsch, Devid Striesow, Rowan Hellier, Jan Remmers, Narine Yeghiyan, Irm Hermann. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, König David: Gesang: Horch, mein Herz erklingt im Gesange (3. Teil) is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of König David: Gesang: Horch, mein Herz erklingt im Gesange (3. Teil) by Arthur Honegger, Devid Striesow, Junges Ensemble Berlin, Prometheus Ensemble Berlin, Frank Markowitsch is Moderato (at a moderate speed), since this song has a tempo of 116 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Raymonda, Act III: Variation for female dancer | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | B Major | 0 | 1B | 76 BPM | ||
Etudes: IV. Adagio | Knudåge Riisager, Gennady Rozhdestvensky, Danish National Symphony Orchestra | F Minor | 0 | 4A | 145 BPM | ||
Klami : Sea Pictures : IV Song of The Watch [Nocturne] [Merikuvia : IV Vahtimiehen laulu] [Nokturno] | Uuno Klami, Finnish Radio Symphony Orchestra, Leif Segerstam | D Minor | 0 | 7A | 83 BPM | ||
Carmina | True LUFS Project | C Major | 2 | 8B | 90 BPM | ||
Concerto-Fantasy: II. Interlude | Paul Chihara, Quynh Nguyen, London Symphony Orchestra, Stephen Barlow | G Major | 2 | 9B | 77 BPM | ||
Le Roi David, H 37, Part 2: No. 16 La danse devant l'arche | Arthur Honegger, Lambert Wilson, Brigitte Fournier, Michel Corboz, Gulbekian Orchestra | E Minor | 1 | 9A | 86 BPM | ||
Trombone Concertino in E-flat Major, Op. 4: I. Allegro maestoso I | Ferdinand David, Christian Lindberg, Swedish Chamber Orchestra | E♭ Major | 2 | 5B | 127 BPM | ||
Ravel: Ma mère l'oye, M. 60: III. Laideronnette, impératrice des pagodes | Maurice Ravel, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra | A♭ Minor | 0 | 1A | 122 BPM | ||
3 Corali, P. 167: No. 2, Andante con moto e scherzando (After J.S. Bach's BWV 648) | Ottorino Respighi, Orchestre Philharmonique Royal de Liège, John Neschling | G Major | 0 | 9B | 74 BPM | ||
Concerto for Orchestra, Sz. 116: I. Introduzione (Andante non troppo - Allegro vivace) | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D Major | 1 | 10B | 73 BPM |
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