"Concerto-Fantasy: II. Interlude" by Paul Chihara, Quynh Nguyen, London Symphony Orchestra, Stephen Barlow was released on September 8, 2023. With this song being around four minutes long, at 3:47, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 2 out of 27 in Chihara: Concerto-Fantasy for Piano and Orchestra, Bagatelles, Reveries & Ami by Paul Chihara, Quynh Nguyen, Rieko Aizawa, London Symphony Orchestra, Stephen Barlow. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Concerto-Fantasy: II. Interlude is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto-Fantasy: II. Interlude by Paul Chihara, Quynh Nguyen, London Symphony Orchestra, Stephen Barlow is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite for String Orchestra, JW6 No. 2: V. Adagio | Antonín Dvořák, Leoš Janáček, Josef Suk, Bohuslav Martinů, Bedřich Smetana, Ciconia Consort, Dick van Gasteren | B♭ Major | 0 | 6B | 89 BPM | ||
French Quadrilogy: No. 2, The Dream | Aivars Kalējs, Trio NYX | G Minor | 0 | 6A | 94 BPM | ||
Bilder aus Osten, Op. 66 (Arr. for String Orchestra by Friedrich Hermann): III. Im Volkston | Robert Schumann, Lucerne Festival Strings, Daniel Dodds | D♭ Major | 0 | 3B | 71 BPM | ||
Over the Rainbow (Arr. for String Quartet by William Ryden) | Harold Arlen, Miró Quartet | C Major | 1 | 8B | 84 BPM | ||
Pavane pour une infante défunte, M. 19 (Version for Orchestra) | Maurice Ravel, John Rutter, Manchester Camerata, David Tollington | G Major | 0 | 9B | 71 BPM | ||
A Fugal Concerto, Op. 40: II. Adagio | Gustav Holst, Janos Balint, Lajos Lencsés, Budapest Strings, Karoly Botvay | G Major | 2 | 9B | 144 BPM | ||
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: VI. Allegro assai | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra | G Minor | 0 | 6A | 140 BPM | ||
Anakin and Padmé | John Williams, London Symphony Orchestra | F Major | 0 | 7B | 59 BPM | ||
Elgar: Variations on an Original Theme, Op. 36, "Enigma": V. R.P.A. (Richard Penrose Arnold). Moderato | Edward Elgar, London Symphony Orchestra, Sir Adrian Boult | C Minor | 1 | 5A | 79 BPM | ||
Piano Concerto No. 1 in E Minor, Op. 11: II. Romance (Larghetto) | Frédéric Chopin, Seong-Jin Cho, London Symphony Orchestra, Gianandrea Noseda | D♭ Major | 0 | 3B | 87 BPM |
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