Ian Bostridge, Julius Drake made "Schubert: Die Forelle, D. 550" available on December 13, 2011. The duration of Schubert: Die Forelle, D. 550 is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Schubert: Die Forelle, D. 550's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "Sherlock Holmes: A Game of Shadows (Original Motion Picture Soundtrack)". In this album, this song's track order is #12. The popularity of Schubert: Die Forelle, D. 550 is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Schubert: Die Forelle, D. 550 by Ian Bostridge, Julius Drake having a BPM of 170 with a half-time of 85 BPM and a double-time of 340 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Te Deum, H. 146: Te Deum, H. 146: II. Te Deum laudamus | Marc-Antoine Charpentier, Bernard Deletré, Les Arts Florissants, William Christie | D♭ Major | 1 | 3B | 84 BPM | ||
Offerte non encore exécutée, H.522 | Marc-Antoine Charpentier, Musica Antiqua Köln, Reinhard Goebel | B Major | 2 | 1B | 79 BPM | ||
Requiem: I. Requiem | Anton Bruckner, Elke Janssens, Penelope Turner, Roel Willems, Arnout Malfliet, Laudantes Consort, Guy Janssens | C Minor | 0 | 5A | 69 BPM | ||
Stabat Mater (Hob. XXbis) 1767: I. Stabat Mater Dolorosa | Joseph Haydn, Anthony Rolfe Johnson, The English Concert, Trevor Pinnock, The English Concert Choir | B Minor | 1 | 10A | 135 BPM | ||
Telemann: Jesus liegt in letzten Zügen, TWV 1:983: No. 3, Arie. "Mein liebster Heiland" | Georg Philipp Telemann, Philippe Jaroussky, Petra Mullejans, Freiburger Barockorchester | A♭ Major | 0 | 4B | 83 BPM | ||
Beethoven: "In questa tomba oscura", WoO 133 | Ludwig van Beethoven, Ian Bostridge, Antonio Pappano | F Minor | 0 | 4A | 109 BPM | ||
Britten: Winter Words, Op. 52: No. 2, Midnight on the Great Western "The Journeying Boy" | Benjamin Britten, Ian Bostridge, Antonio Pappano | C Major | 1 | 8B | 70 BPM | ||
The Folly of Desire: the boys i mean are not refined | Brad Mehldau, Ian Bostridge | E♭ Major | 1 | 5B | 114 BPM | ||
Weinen, Klagen, Sorgen, Zagen, BWV 12: Weinen, Klagen (Chorus) | Johann Sebastian Bach, Brigitte Geller, William Towers, Mark Padmore, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D Major | 1 | 10B | 73 BPM | ||
Il pianto di Maria: "Giunta l'ora fatal" HWV 234: Cavatina: "Se d'un Dio fui fatta Madre" | George Frideric Handel, Anne Sofie von Otter, Musica Antiqua Köln, Reinhard Goebel | B Minor | 0 | 10A | 174 BPM |
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