"Eight Songs for a Mad King: No. 5, The Phantom Queen" by Peter Maxwell Davies, Kelvin Thomas MBE, Psappha was released on January 28, 2022. The duration of Eight Songs for a Mad King: No. 5, The Phantom Queen is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Eight Songs for a Mad King: No. 5, The Phantom Queen's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 8 in the song's album "Peter Maxwell Davies: Eight Songs for a Mad King". In this album, this song's track order is #5. Eight Songs for a Mad King: No. 5, The Phantom Queen is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Eight Songs for a Mad King: No. 5, The Phantom Queen by Peter Maxwell Davies, Kelvin Thomas MBE, Psappha having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Abodah (God's Worship) (Arr. for Cello) | Ernest Bloch, Sheku Kanneh-Mason | D Minor | 2 | 7A | 110 BPM | ||
Le Tic-Toc-Choc | François Couperin, Sarah O'Brien | A Major | 1 | 11B | 87 BPM | ||
5 Songs from the Norwegian: No. 5. Sunset (arr. J. Lloyd Webber for cello and piano) | Frederick Delius, Julian Lloyd Webber, John Lenehan | F♯ Major | 0 | 2B | 69 BPM | ||
Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
Baïlèro, Serie 1, No. 2 | Joseph Canteloube, Patricia Rozario, Philharmonia Orchestra, Sir John Pritchard | B♭ Major | 2 | 6B | 87 BPM | ||
No. 3, Clair de lune - Arr. for Cello and Guitar | Claude Debussy, Isang Enders, Sean Shibe | D Major | 1 | 10B | 88 BPM | ||
Satie / Arr. Barker & Balsom: 3 Gymnopédies: No. 3, Lent et grave | Erik Satie, Alison Balsom, Guy Barker, Guy Barker Orchestra | G Minor | 0 | 6A | 170 BPM | ||
All In The Past (Remembering Oskar Strock) | Georgs Pelēcis, Johannes Fritzsch, Tasmanian Symphony Orchestra, Emma McGrath | D Minor | 0 | 7A | 109 BPM | ||
The Lark in the Clear Air | Carducci String Quartet | F Major | 1 | 7B | 97 BPM | ||
Solveig's Song | Edvard Grieg, Yo-Yo Ma, Kathryn Stott | A Minor | 0 | 8A | 170 BPM |
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