Edward Roberts, The Lodore Trio's 'Quercus' came out on February 20, 2022. With Quercus being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 17 in the song's album "Rivulets". In this album, this song's track order is #2. Quercus is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Quercus by Edward Roberts, The Lodore Trio having a BPM of 69 with a half-time of 34 BPM and a double-time of 138 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lemminkäinen Suite, Op. 22: II. The Swan of Tuonela | Jean Sibelius, London Symphony Orchestra, Sir Charles Mackerras | A Minor | 0 | 8A | 113 BPM | ||
Woodland Sketches, Op. 51: No. 1: To a Wild Rose | Edward MacDowell, James Barbagallo | A Major | 0 | 11B | 87 BPM | ||
Clarinet Sonata No. 1 in F Minor, Op. 120 (orch. L. Berio): II. Andante un poco adagio | Luciano Berio, Johannes Brahms, Karl-Heinz Steffens, Rhenish State Philharmonic Orchestra, Daniel Raiskin | A♭ Major | 0 | 4B | 69 BPM | ||
L'Arlésienne Suite No.1: Adagietto | Georges Bizet, Berliner Philharmoniker, Herbert von Karajan | F Major | 0 | 7B | 112 BPM | ||
Ma mère l'oye, M. 62: Apothéose: Le jardin féerique. Lent et grave | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez | C Major | 0 | 8B | 83 BPM | ||
Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
Suite No. 3, Op. 19, No. 1 (version for 2 violins and string orchestra): I. Prelude: Adagio | Kurt Atterberg, Henning Kraggerud, Dalasinfoniettan, Bjarte Engeset | D♭ Minor | 2 | 12A | 94 BPM | ||
Introit, Op. 6 | Gerald Finzi, Thomas Gould, Aurora Orchestra, Nicholas Collon | F Major | 1 | 7B | 96 BPM | ||
Much Ado about Nothing Suite, Op. 11: IV. Intermezzo (Garden Scene) | Erich Wolfgang Korngold, Mineria Symphony Orchestra, Carlos Miguel Prieto | C Major | 3 | 8B | 85 BPM | ||
Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 149 BPM |
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