Erich Wolfgang Korngold, Mineria Symphony Orchestra, Carlos Miguel Prieto made "Much Ado about Nothing Suite, Op. 11: IV. Intermezzo (Garden Scene)" available on June 30, 2009. The duration of Much Ado about Nothing Suite, Op. 11: IV. Intermezzo (Garden Scene) is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. Much Ado about Nothing Suite, Op. 11: IV. Intermezzo (Garden Scene)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Erich Wolfgang Korngold, Carlos Miguel Prieto's "Korngold, E.W.: Violin Concerto / Schauspiel Overture / Much Ado About Nothing Suite" album is number 8 out of 9. On top of that, Hong Kong appears to be the country where this track was created. Much Ado about Nothing Suite, Op. 11: IV. Intermezzo (Garden Scene) is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Much Ado about Nothing Suite, Op. 11: IV. Intermezzo (Garden Scene) by Erich Wolfgang Korngold, Mineria Symphony Orchestra, Carlos Miguel Prieto to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Appalachian Spring: VIII. Coda. Moderato | Aaron Copland, Leonard Bernstein, New York Philharmonic | C Major | 0 | 8B | 106 BPM | ||
Concerto for Violin and Orchestra in D Major, Op.35: II. Romance: Andante | Canada’s National Arts Centre Orchestra, Alexander Shelley, James Ehnes, Erich Wolfgang Korngold | F Major | 2 | 7B | 127 BPM | ||
Lyric for Strings | George Walker, Chicago Sinfonietta, Paul Freeman | F♯ Major | 0 | 2B | 99 BPM | ||
Dvořák: Czech Suite in D Major, Op. 39, B. 93: IV. Romanza | Antonín Dvořák, Czech Philharmonic Orchestra, Libor Pešek | D Major | 0 | 10B | 87 BPM | ||
Symphony No. 1, "Afro-American": II. Sorrow (Adagio) | William Grant Still, Fort Smith Symphony, John Jeter | F Major | 0 | 7B | 55 BPM | ||
The Hebrides, Op. 26 (Fingal's Cave) | Felix Mendelssohn, Wiener Philharmoniker, Christoph von Dohnányi | A Minor | 3 | 8A | 96 BPM | ||
Concierto para Piano y Orquesta: II. Andantino Amoroso | Manuel Ponce, Hector Rojas, Carlos Miguel Prieto, Orquesta Filarmónica de la Ciudad de México | C Major | 4 | 8B | 168 BPM | ||
Concierto para Piano y Orquesta: III. Allegretto | Manuel Ponce, Hector Rojas, Carlos Miguel Prieto, Orquesta Filarmónica de la Ciudad de México | A♭ Major | 5 | 4B | 137 BPM | ||
Piano Concerto No. 1 in C Major, Op. 11, J. 98: II. Adagio | Carl Maria von Weber, Benjamin Frith, RTE Sinfonietta, Proinnsias O'Duinn | A♭ Major | 0 | 4B | 95 BPM | ||
An English Suite: VI. Air | Hubert Parry, London Symphony Orchestra, Sir Adrian Boult | G Major | 0 | 9B | 91 BPM |
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