"Coronis, Jornada segunda: No. 20, Ya, sacros cielos" by Sebastian Durón, Le Poème Harmonique, Vincent Dumestre, Isabelle Druet had its release date on February 11, 2022. The duration of This song is about 3 minutes long, at 3:19. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 46 in the song's album "Sebastián Durón: Coronis". In this album, this song's track order is #20. Furthermore, we believe that the track originated from France. In terms of popularity, Coronis, Jornada segunda: No. 20, Ya, sacros cielos is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Coronis, Jornada segunda: No. 20, Ya, sacros cielos by Sebastian Durón, Le Poème Harmonique, Vincent Dumestre, Isabelle Druet having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 5/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dieupart: Harpsichord Suite No. 5 in G Major: V. Gavotte (Version With Recorder) | Charles Dieupart, Frans Brüggen, Gustav Leonhardt, Nikolaus Harnoncourt | E Major | 0 | 12B | 116 BPM | ||
Manuscrit Panmure: Gigue in D Minor | Marin Marais, Noémie Lenhof, Guillaume Haldenwang, Alice Trocellier, Nicolas Wattinne | D♭ Major | 0 | 3B | 78 BPM | ||
Beatus vir, ZWV 75: Gloria Patri - After Psalm 111 | Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists | A♭ Minor | 1 | 1A | 103 BPM | ||
Mori, mi dici (I) | Alessandro Scarlatti, Cappella Mediterranea, Leonardo García-Alarcón, Ana Vieira Leite, Mariana Flores, Léo Fernique, Valerio Contaldo, Matteo Bellotto | B♭ Minor | 0 | 3A | 110 BPM | ||
When Saul was king: I. When Saul was king over us | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music | A Major | 1 | 11B | 170 BPM | ||
Trio Sonata in G Major, G01: II. Allegro Assai | Giuseppe Tartini, Maurizio Schiavo, Ayako Matsunaga, Antonio Papetti, Danilo Costantini, Il Demetrio | D♭ Major | 1 | 3B | 111 BPM | ||
Pavane d'Angleterre – Galliarde - 6. Livre de Danceries - Branles de Pictou - 5. Livre de Danceries | İzmir Barok | D♭ Minor | 4 | 12A | 121 BPM | ||
In tribulationibus, in angustiis: No. 4, Hic spirant lenite | Rinaldo Alessandrini, Concerto Italiano, Sonia Tedla, Monica Piccinini | A Major | 3 | 11B | 93 BPM | ||
Coronis, Jornada primera: No. 16, Vuestro llanto humilde pretendare | Sebastian Durón, Le Poème Harmonique, Vincent Dumestre, Cyril Auvity | A Major | 5 | 11B | 88 BPM | ||
Membra Jesu Nostri, BUXWV 75, cantata IV ad latus: V. Hora mortis | Dietrich Buxtehude, Luthers Bach Ensemble, Tymen Jan Bronda, Baroque Orchestra, Kristen Witmer, Lucía Caihuela, Jan Kullmann, William Knight, Matthew Baker, Anonymous | F♯ Minor | 2 | 11A | 142 BPM |