Don Quixote: Act I: Appearance of Gamasch - Ludwig Minkus, Sofia National Opera Orchestra, Boris Spassov Information

Acousticness: 96%
Danceability: 40%
Energy: 2%
Instrumentalness: 2%
Liveness: 66%
Loudness: 55%
Speechiness: 4%
Valence: 41%
Popularity: 8%
Loudness: -26.705 dB

Summary

Ludwig Minkus, Sofia National Opera Orchestra, Boris Spassov made "Don Quixote: Act I: Appearance of Gamasch" available on January 1, 1995. With Don Quixote: Act I: Appearance of Gamasch being less than two minutes long, at 1:35, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Ludwig Minkus, Sofia National Opera Orchestra, Boris Spassov's "Minkus, L.: Don Quixote [Ballet]" album is number 11 out of 56. On top of that, United States appears to be the country where this track was created. Based on our statistics, Don Quixote: Act I: Appearance of Gamasch's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

Don Quixote: Act I: Appearance of Gamasch BPM

We consider the tempo marking of Don Quixote: Act I: Appearance of Gamasch by Ludwig Minkus, Sofia National Opera Orchestra, Boris Spassov to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.

Don Quixote: Act I: Appearance of Gamasch Key

This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Raymonda, Op. 57: Act I - Pizzicato	Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov	D Major	0	10B	104 BPM
Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version]	Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski	E Major	2	12B	123 BPM
La vie parisienne, Polka	Jacques Offenbach, Budapest Strauss Ensemble, Istvan Bogar	G Major	4	9B	105 BPM
Zigeunerweisen, Op. 20 (version for violin and orchestra): I. Moderato	RCA Victor Symphony Orchestra & William Steinberg	A Minor	0	8A	96 BPM
Le pavillon d'Armide: Variation - Allegro - Moderato tranquillo - Vivace - Grave. Maestoso e molto sostenuto	Nikolai Tcherepnin, Moscow Symphony Orchestra, Henry Shek	E Major	0	12B	79 BPM
Etudes: VIII. Relevés	Knudåge Riisager, Gennady Rozhdestvensky, Danish National Symphony Orchestra	F Major	0	7B	76 BPM
Coriolan, Op. 62: Overture	Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan	F Minor	2	4A	76 BPM
Symphony No. 45 in F-Sharp Minor, Hob.I:45, "Farewell": I. Allegro assai	Franz Joseph Haydn, Capella Istropolitana, Barry Wordsworth	F♯ Minor	2	11A	156 BPM
Violin Concerto No. 2 in B Minor, Op. 7, "La campanella": III. Rondo	Niccolò Paganini, Netherlands Symphony Orchestra, Rudolf Koelman, Jan Willem de Vriend	B Minor	2	10A	105 BPM
Jazz Suite No. 2: 4. Waltz I	Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly	B♭ Major	2	6B	178 BPM

ISRC: US2TL0911611
Label: L-M Records/RCA Records

Section: 0.5804617404937744

End: 0.5836458206176758