Giuseppe Verdi, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly made "Rigoletto / Act 1: "Questa o quella"" available on January 1, 1997. With Rigoletto / Act 1: "Questa o quella" being less than two minutes long, at 1:37, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 41 in the song's album "Pavarotti Forever". In this album, this song's track order is #6. Rigoletto / Act 1: "Questa o quella" is average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Rigoletto / Act 1: "Questa o quella" by Giuseppe Verdi, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La traviata / Act 3: "Prendi, quest'è l'immagine" | Giuseppe Verdi, Anna Netrebko, Rolando Villazón, Thomas Hampson, Diane Pilcher, Luigi Roni, Wiener Philharmoniker, Carlo Rizzi | D♭ Minor | 1 | 12A | 87 BPM | ||
Io sono docile | Gioachino Rossini, Roberta Peters, Erich Leinsdorf, Metropolitan Opera Orchestra | F Major | 3 | 7B | 83 BPM | ||
La Traviata - Act. Iii - Addio Del Passato | Renata Scotto | A Minor | 1 | 8A | 72 BPM | ||
Manon Lescaut: Donna Non Vidi Mai... | Mario del Monaco | B♭ Major | 2 | 6B | 85 BPM | ||
Adriana Lecouvreur / Act 1: "Ecco: respiro appena ... Io son l'umile ancella" | Francesco Cilea, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | A♭ Major | 1 | 4B | 82 BPM | ||
Rigoletto: Oper in 3 Akten · Querschnitt und große Szenen in deutscher Sprache (2001 - Remaster), Erster Teil: Querschnitt, Erster Akt: - Vorspiel [Preludio] (Orchester) | Francesco Maria Piave, Giuseppe Verdi, Hermann Lüddecke/Männerchor Der Deutschen Oper Berlin/Berliner Symphoniker/Rudolf Schock/Wilhelm Schüchter, Hermann Luddecke, Hermann Lüeddecke, Werner Schmidt-Boelcke, Wilhelm Schuechter, Wilhelm Schüchter, Berliner Symphoniker | C Major | 0 | 8B | 67 BPM | ||
La Traviata - Act. I - Libiam Ne' Lieti Calici (Brindisi) | Luciano Pavarotti, Renata Scotto | B♭ Major | 3 | 6B | 97 BPM | ||
Vaga luna che inargenti | Vincenzo Bellini, Luciano Pavarotti, Philharmonia Orchestra, Piero Gamba | B Major | 2 | 1B | 86 BPM | ||
La traviata / Act 2: "Di Provenza il mar, il suol" | Giuseppe Verdi, Dmitri Hvorostovsky, Rotterdam Philharmonic Orchestra, Valery Gergiev | D♭ Major | 2 | 3B | 76 BPM | ||
Manon Lescaut / Act 1: Donna non vidi mai | Giacomo Puccini, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | B♭ Major | 3 | 6B | 79 BPM |
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