- BPM
- 174
- Key
- F Major
- Camelot
- 7B
Armida / Act 2: D'amor al dolce impero... - Gioachino Rossini, Renée Fleming, Coro del Maggio Musicale Fiorentino, Orchestra of St. Luke's, Patrick Summers Information
- Acousticness
- 97%
- Danceability
- 32%
- Energy
- 5%
- Instrumentalness
- 0%
- Liveness
- 71%
- Loudness
- 65%
- Speechiness
- 7%
- Valence
- 19%
- Popularity
- 2%
- Loudness
- -21.215 dB
Summary
"Armida / Act 2: D'amor al dolce impero..." by Gioachino Rossini, Renée Fleming, Coro del Maggio Musicale Fiorentino, Orchestra of St. Luke's, Patrick Summers was released on August 19, 2002. The duration of Armida / Act 2: D'amor al dolce impero... is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Armida / Act 2: D'amor al dolce impero...'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "Renée Fleming - Bel Canto Scenes". In this album, this song's track order is #14. The popularity of Armida / Act 2: D'amor al dolce impero... is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Armida / Act 2: D'amor al dolce impero... BPM
With Armida / Act 2: D'amor al dolce impero... by Gioachino Rossini, Renée Fleming, Coro del Maggio Musicale Fiorentino, Orchestra of St. Luke's, Patrick Summers having a BPM of 174 with a half-time of 87 BPM and a double-time of 348 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
Armida / Act 2: D'amor al dolce impero... Key
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Violin Concerto in D Major, Op. 77: III. Allegro giocoso, ma non troppo vivace | Johannes Brahms, Takako Nishizaki, Slovak Philharmonic, Stephen Gunzenhauser | F Major | 1 | 7B | 91 BPM | |
 | Il Barbiere di Siviglia: Mi par d'esser con la testa - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly, Orchestra Del Teatro Alla Scala, Milano | F♯ Major | 5 | 2B | 86 BPM | |
 | Manon Lescaut / Act II: "In quelle trine morbide" | Giacomo Puccini, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | B♭ Minor | 1 | 3A | 168 BPM | |
 | Elgar: 5 Pomp and Circumstance Marches, Op. 39: No. 1 in D Major | Edward Elgar, Yehudi Menuhin, Royal Philharmonic Orchestra | C Minor | 1 | 5A | 98 BPM | |
 | Requiem aeternam: Dies irae | Franz von Suppé, Marie Fajtová, Franziska Gottwald, Tomislav Musek, Albert Pesendorfer, Munich Philharmonic Chorus, Philharmonie Festiva, Gerd Schaller | D Minor | 3 | 7A | 88 BPM | |
 | La Cenerentola / Act 1: Signore, una parola...Qui nel mio codice...Nel volto | Gioachino Rossini, Cecilia Bartoli, Enzo Dara, Alessandro Corbelli, William Matteuzzi, Michele Pertusi, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | C Major | 3 | 8B | 137 BPM | |
 | Julius Caesar, HWV 17, Act III Scene 1: Flow, my tears (Cleopatra) | George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, Valerie Masterson | E Major | 0 | 12B | 72 BPM | |
 | Grieg: Peer Gynt, Op. 23, Act 4: No. 16, Anitra's Dance | Edvard Grieg, Sir Thomas Beecham, Royal Philharmonic Orchestra | A Major | 2 | 11B | 95 BPM | |
 | Symphony No. 5 in C Minor, Op. 67: III. Allegro | Ludwig van Beethoven, Wiener Philharmoniker, Carlos Kleiber | A♭ Major | 1 | 4B | 82 BPM | |
 | Carmina Burana / Fortuna Imperatrix Mundi: "Fortune plango vulnera" | Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | B♭ Major | 2 | 6B | 132 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7190530300140381
End: 0.7228312492370605