"Elgar: 5 Pomp and Circumstance Marches, Op. 39: No. 1 in D Major" by Edward Elgar, Yehudi Menuhin, Royal Philharmonic Orchestra was released on 1991. Elgar: 5 Pomp and Circumstance Marches, Op. 39: No. 1 in D Major is about six minutes long, preciously at 5:53, making this song fairly long compared to other songs. The song is number 1 out of 10 in Elgar:Pomp & Circumstance Marches, etc by Royal Philharmonic Orchestra/Yehudi Menuhin, Yehudi Menuhin, Royal Philharmonic Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Elgar: 5 Pomp and Circumstance Marches, Op. 39: No. 1 in D Major is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Elgar: 5 Pomp and Circumstance Marches, Op. 39: No. 1 in D Major by Edward Elgar, Yehudi Menuhin, Royal Philharmonic Orchestra is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 6 in F, Op.68 'Pastoral': V. Allegretto (Shepherds' Hymn) | Philadelphia Orchestra, Riccardo Muti | C Major | 1 | 8B | 73 BPM | ||
Fantasia On British Sea Songs | Sir Henry Wood, Joseph Henry Wood, Royal Philharmonic Orchestra, Robin Stapleton | C Major | 1 | 8B | 80 BPM | ||
Carmen Ballet Suite (after Bizet): IX. Torero | Rodion Shchedrin, Slovenian Symphony Orchestra, Anton Nanut | F Major | 5 | 7B | 115 BPM | ||
The Dream of Gerontius, Op. 38, Pt. 1: Prelude | Edward Elgar, Gabrieli, Paul McCreesh | D Major | 0 | 10B | 85 BPM | ||
Moment Musical in F Minor, Op. 94, No. 3, D. 780 (arr. for chamber ensemble) | Anonymous , Franz Schubert, Budapest Strings, Bela Banfalvi | F Minor | 0 | 4A | 101 BPM | ||
Ungarischer Tanz in G Minor, WoO, No. 5 | Slovak State Philharmonic Orchestra, Christian Ehwald | G Minor | 1 | 6A | 151 BPM | ||
Symphony No. 1 in A-Flat Major, Op. 55*: IV. Lento - Allegro | Edward Elgar, BBC Philharmonic, George Hurst | E♭ Major | 1 | 5B | 128 BPM | ||
Vremena Goda (The Seasons), Op. 67: Summer: Waltz of the Cornflowers and the Poppies | Alexander Glazunov, Slovak Radio Symphony Orchestra | D Major | 1 | 10B | 100 BPM | ||
Carissima | Edward Elgar, New Zealand Symphony Orchestra, James Judd | E Minor | 2 | 9A | 87 BPM | ||
Salut d'amour, Op. 12 (version for orchestra) | Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 82 BPM |
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