Jean de Cambefort, Caroline Bardot, Etienne Bazola, Ensemble Correspondances, Sébastien Daucé's 'Le Concert royal de la Nuit, Quatrième Veille, Orphée: Dialogue du Sommeil & du Silence (JC)' came out on September 3, 2015. With this song being around four minutes long, at 3:53, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Ensemble Correspondances, Sébastien Daucé's "Le Concert royal de la Nuit" album is number 15 out of 68. On top of that, France appears to be the country where this track was created. Le Concert royal de la Nuit, Quatrième Veille, Orphée: Dialogue du Sommeil & du Silence (JC) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Le Concert royal de la Nuit, Quatrième Veille, Orphée: Dialogue du Sommeil & du Silence (JC) by Jean de Cambefort, Caroline Bardot, Etienne Bazola, Ensemble Correspondances, Sébastien Daucé to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata No.6 in D Major, Op. 50: I. Largo | Joseph Bodin de Boismortier, Lucile Boulanger, Simon Pierre, Olivier Fortin | B♭ Minor | 3 | 3A | 94 BPM | ||
Maddalena ai piedi di Cristo: No. 10 Aria Maddalena "In un bivio è il mio volere" | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini, Maria Cristina Kiehr | A♭ Major | 1 | 4B | 68 BPM | ||
Te Deum laudamus pour deux choeurs et basse continue: I. Te Deum Laudamus | Domenico Scarlatti, Vox Luminis, Lionel Meunier | F♯ Major | 1 | 2B | 169 BPM | ||
Madrigals Libro, No.6: Moro, Lasso, Al Mio Duolo | Carlo Gesualdo, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM | ||
Concerts royaux, Concerto No. 2 in D Major: I. Prélude | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | F Minor | 0 | 4A | 101 BPM | ||
Ballo del Granduca | Anonymous, Luigi Accardo | A Minor | 2 | 8A | 129 BPM | ||
Membra Jesu Nostri, BuxWV 75, Ad faciem: Aria "Dum me mori est necesse" | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Carlos Mena | C Minor | 2 | 5A | 90 BPM | ||
Pour une bergere infidelle | Bertrand de Bacilly, Les Musiciens De Saint-Julien, François Lazarevitch, Julie Roset, Lucile Richardot | F♯ Minor | 1 | 11A | 86 BPM | ||
Little Consort in Two Parts for Severall Friends in C minor-major: VIII. Saraband | Matthew Locke, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Le Carnaval du Parnasse, Prologue Scene 4: Air. Le printemps seul nous procure (Clarice) | Jean-Joseph Cassanéa De Mondonville, Hasnaa Bennani, Les Ambassadeurs ~ La Grande Écurie, Alexis Kossenko | D Major | 7 | 10B | 92 BPM |
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