"Membra Jesu Nostri, BuxWV 75, Ad faciem: Aria "Dum me mori est necesse"" by Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Carlos Mena was released on March 29, 2019. With Membra Jesu Nostri, BuxWV 75, Ad faciem: Aria "Dum me mori est necesse" being less than two minutes long, at 1:09, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 41 out of 50 in Buxtehude: Membra Jesu Nostri by Dietrich Buxtehude, Philippe Pierlot, Ricercar Consort. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Membra Jesu Nostri, BuxWV 75, Ad faciem: Aria "Dum me mori est necesse" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Membra Jesu Nostri, BuxWV 75, Ad faciem: Aria "Dum me mori est necesse" by Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Carlos Mena is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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A miei pianti al fine un dì, F7.32 | Girolamo Frescobaldi, Clematis, Leonardo García-Alarcón | G Major | 1 | 9B | 130 BPM | ||
Stabat Mater in G Minor: VII. Sancta Mater | Frantisek Tuma, Collegium 1704, Collegium vocale 1704, Vaclav Luks | B Minor | 0 | 10A | 57 BPM | ||
Qual mormorio giocondo: Recitative: Cosi dell'alma mia | Alessandro Melani, Ruth Ziesak, Reinhold Friedrich, Karoly Botvay | F♯ Major | 1 | 2B | 78 BPM | ||
Sonata Sexta in F Minor for Violin: II. Allegro | Daniel Purcell, La Rêveuse, Florence Bolton, Benjamin Perrot, Stephan Dudermel | B♭ Minor | 0 | 3A | 135 BPM | ||
Piece in D Minor, WK 206 - No. 21 from "27 Pieces for Bass Viol - The Drexel Manuscript 5871" | Carl Friedrich Abel, Philippe Pierlot | B Major | 0 | 1B | 143 BPM | ||
All'imperio d'Amore: 4. O che felice giorno a voce sola | Giulio Caccini, Ensemble Pygmalion, Sophie Junker, Raphael Pichon | B♭ Major | 1 | 6B | 99 BPM | ||
Salve Regina pour soprano, contre-ténor et basse continue: II. Ad te clamamus (Moderato) | Domenico Scarlatti, Vox Luminis, Lionel Meunier | E♭ Minor | 0 | 2A | 74 BPM | ||
Suite En Si Mineur: Allemande, II.85 (Marais) | Jordi Savall, Rolf Lislevand, Xavier Diaz-Latorre, Philippe Pierlot, Pierre Hantaï | B♭ Minor | 2 | 3A | 113 BPM | ||
Concert XXV | Monsieur de Sainte-Colombe, Philippe Pierlot, Lucile Boulanger | C Minor | 0 | 5A | 112 BPM | ||
Membra Jesu Nostri, BuxWV 75: No. 3, Ad manus | Dietrich Buxtehude, Opella Musica, Gregor Meyer | C Minor | 1 | 5A | 79 BPM |
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